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TAMPA
SHOOTOUTS BLOG
By
event planner, photographer, and modeling and talent expert C. A. Passinault
This
blog is the opinion of the author, and should not be taken as advice or
as fact. The opinions expressed in this blog are by the author only, and
may not be necessarily the opinions of Tampa Shootouts, our affiliates,
our sponsors, the participants, or any other party involved with Tampa
Shootouts. For informational use only. Use this information at your own
risk.
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Sunday, September
16, 2012 - Tampa Shootouts Blog Post by C. A. Passinault
Final
Blog Post For Tampa Shootouts
The
marketing and branding for our shootout and workshop events is changing,
and we are launching a new web site. Although we are keeping Tampa Shootouts,
and we will be protecting the trademarks associated with all of our old
properties, the new branding was needed for some new agendas in the market.
The additional year of development came in handy, and was extremely effective
in enhancing our event formats properties. All of our properties are now
refined. We have many new concepts and plans. Under a new brand, and a
single web site, we will be conducting the most numerous, most popular,
most effective, and the best modeling photography events and workshops
in the Tampa Bay market. We even have some new events in the works which
are hybrids of the shootout and workshop concepts.
Once the new site is up, and we begin operations, the first six months
to a year of shootout events will be private events, with few outsiders
welcome. These events will be heavily covered. The first phase will be
used to build market buzz, and to build our support and security infrastructure.
The second phase will see shootout events where we will evaluate professional
models, photographers, and other industry professionals for subcontracted
jobs in our paid shootout and workshop events. Those events may have invited
photographers, but these photographers must be cleared for the events,
and we will only allow professional photographers, just like we will only
allow professional models. The third phase, which probably will not be
until a year after our first events, will be a series of shootout events
for targeted markets, and workshop events. The marketed shootout and workshop
events will be for new photographers and new models, and they will have
subcontracted jobs for models, photographers, and others in the industry.
Bans on photographers and models who gave us problems in the past will
be maintained, and they will not be considered for anything. We want nothing
to do with them.
We will no longer be operating under our previous main branding, and those
web sites will be decommissioned sometime next year. Our event branding,
however, such as Athena, Beacon, Allure, Focus, Lace, Beachhead, and others
will not change, and will still be used under the new main branding and
the new web site. For those of you thinking about taking our old domain
names and web sites, keep thinking that. You will get burned. Not only
do we reserve the right to take legal action against anyone infringing
upon our trademarks, but we will be destroying domain names, their search
ranking, and the web sites before we get rid of them, which will ensure
that anyone trying to take them will get burned on that move, as well.
This is the final blog post here on Tampa Shootouts. We will link to the
new site once it is online. For more, please read the alert on our front
page. Thank you.
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Tuesday, June 5, 2012
- Tampa Shootouts Blog Post by C. A. Passinault
We’re
getting competition, at last. We wish them good luck!
It
came to our attention yesterday that an event-happy glamour photographer
in the Tampa Bay area, who we have been monitoring, and have been aware
of long before Tampa Shootouts launched, has launched a shootout site
to compete with our high-risk Allure Shootouts and Lace Workshops. This
was expected. Although this photographer is better, and more organized
than the photographer who was doing amateur shootout events last year,
who we have pretty much put out of business, we are not expecting this
new contender to be much competition, and find their actions more annoying
than anything else, as it does appear that they are trying to copy us.
Would you rather have the true source, and a leader, or a follower with
a third-rate knock-off? We are happy about one thing at least, and what
we are happy about is that this photographer is helping to stabilize the
word “shootout” to represent photography events. To this competitor,
who has tried to attend our first shootouts, we wish you luck, because
you are going to need it.
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Thursday, March 15,
2012 - Tampa Shootouts Blog Post by C. A. Passinault
Do
you think that you can compete with our Tampa Bay photography shootout
and workshop events? Good luck!
We
will make this quick, as we are busy. Just something to consider: Do you
really think that you can compete with our Tampa Bay photography shootout
and workshop events? Athena, Beacon, Aperture, Allure, Focus, and Lace
are all brand names in the grand scheme of photography events and workshops,
and they will become THE standard for modeling photography events in Florida,
let alone the Tampa Bay market. We will also make them the ones to watch
for the entire world, and we intend to become a worldwide leader in these
types of events.
We have more on the way, too. Our second and third generation modeling
photography and modeling events are now in development. That does not
mean that the first generation events, being the six initial events listed
here, will become irrelevant or obsolete, either. Far from it. Like a
strutting fashion model who turns all heads, our events have legs. Long,
strong legs. We just keep walking, and blaze a path as our competition
is forced to part ways before us, some trembling and being forced to their
knees in respect. The real deal is here to stay. Our upcoming event properties
are not being developed to correct mistakes or shortcomings, but rather
to scale event features and benefits to the participants, as well as to
lock in branding and event formats for specific markets. Our events, present
and future, are all designed to work together, unified and strong, for
years to come, long after they initially debut. Our events are designed
to evolve and grow, and are interconnected with each other. We are like
that. We think far ahead, and are able to predict the market conditions
of tomorrow. We are the future, and we will show the market the way. After
all, we don’t just run a business. We run the market.
Our workshops and related events will also pay subcontracted models, photographers,
make-up artists, stylists, and other professionals who work them. Professionals
who are looking for work are going to LOVE us, and after experiencing
what we have to offer, they won’t want to deal with our competition
at all! We will attract and retain the support of top professionals in
the industry. As a result, competing photography events are FORCED to
pay their workers, too, which raises their overhead. Consequently, it
helps to weed out the market, as those who are not experienced, or smart,
enough to be in this business fail to adapt, and end up going out of business.
No loss, there, as the market will only need us.
That’s right, we will be setting standards. It’s what market
leaders do. The rest just follow, or try to follow, and most will fail
to some extent.
There are some that have been studying our sites to attempt to compete
with us. Have you considered that we published just enough information
to make you think twice about trying to compete with us?
For those who may be qualified to compete with us, and intend to compete,
do you really think that you can go up against the kind of marketing and
support firepower that we command? Think again. How do you think that
you found this web site? We are very, very good at what we do. You already
know that, however, or you would not be reading this right now. Consider
what we are stating. Consider your place in the scheme of things, as we
will be putting others in their proper place. It’s as it should
be, as we have paid our dues and have done our homework. We work hard
to put together the best events possible. We are serious, and passionate,
about what we do. We also know what we are doing. Do you?
Our events will become a force of nature in the Tampa Bay market. Embrace
us, and work with us, or get out of our way, because we are here to stay,
and are not going to go away. Ever.
The storm is on the horizon. It’s up to you, now. For those who
are not up to the challenge, we suggest that you quit while you are behind,
and don’t even try.
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Thursday, March 8,
2012 - Tampa Shootouts Blog Post by C. A. Passinault
Foundation
work. Marketing and support sites to be overhauled.
I
decided last night to delay the deployment of my Mosaic Class photography
and design web sites by one week in
order to tie up some loose ends with the marketing and support web sites.
I’m going to work backwards from the rear to the front. The way
that it is going to work is this:
1. Frontier Event
Planning and Frontier Stage Productions
The Frontier
Event Planning and Frontier
Stage Productions sites need to be brought online, as
they have been in limbo for months (I changed the name of these companies
from Eventi to Frontier, and brought down their dedicated marketing domain
name sites as a result. This led to a cybersquatter/ content scraper issue
with the old Eventi Events site that took me a lot of work to resolve,
because over 30 of my web sites were linking to it, and those links had
to be removed so that the new owner could not benefit from the page rank
that my sites were sending their way.... I’m always dealing with
cybersquatters and their shady tactics. From now on, I will disconnect
my sites and, in other ways, burn a domain name before I give it up, in
order to diminish the value and the effectiveness to the new “owner”;
a process which takes at least a year. Although I could sell my old domain
names, too, you have to think about that, because the only parties who
would be in the market for those domain names would be competitors, and
it really makes no sense to sell to them). With these companies being
my original companies started in 1990 (Aurora PhotoArts has always had
the same name, and it’s been that way since it was founded in 1994.
My event/ stage production company, which is now two companies due to
legal and licensing requirements, had a rather rough branding road in
comparison. It started out as Party Systems INC, or PSI, in 1990. This
was followed by Advanced Entertainment Systems, or AES, in 1993, then
Horizons Entertainment in 1997, and then Event Events and Eventi Stage
in 2003. It’s still the same company, now companies, however, and
I was in business as an event planner and a DJ long before I made a business
out of photography. Right now, despite the irony of securing great branding
rather easily for my shootout and workshop events, I’m having a
tough time coming up with great branding for my second photography company,
and have been working at that for about seven years now. I’m still
throwing around branding, checking domains, and doing trademark searches,
but so far, I’m still working at it. It should be resolved in the
next few weeks, though. The branding for that second company is critical,
however, so it is important that I get it right going in), and scheduled
to become my core companies, once again, by 2014 (Aurora PhotoArts and
my second photography company will not be displaced or diminished in importance.
As a matter of fact, these businesses will become huge. It’s just
that the event and stage production companies will be bigger, and will
be the support foundation for all of my businesses), the sites have to
be up and running now. Most of the design work is already done, anyhow,
with some of the graphics sets being designed back in 2005 still advanced,
now.
The first events from these companies will roll out this year with the
shootouts and workshops. I’ll return to DJ’ing, parties, and
event planning late this year, in a limited capacity, as my independent
filmmaking work will tie up some of my time (with films, I have a lot
of stories to tell, too. I have to complete at least two short films this
year, and the production work will be covered on my Tampa
Bay Film sites. My films will debut on my Tampa
Bay Film Online Film Festival, which is the top film festival
in Florida, as well as one of the top ones in the world. Regarding those
films, I am finishing up the screenplays now). Next year, in 2013, when
I am ready to begin aggressively marketing and rolling out services to
the public once again, I will reformat support sites such as my Tampa
DJ Blog and connect them to the business sites with marketing
support, instantly switching them on and kickstarting them to the top
of search engine results for event planning and stage production services
in the Tampa Bay market, much like turning on a light switch, since these
support sites are already positioned optimally (the amusing part is, right
now, my Tampa DJ Blog is not marketing or selling a thing, as it is primarily
a labor of love, as well as serving as a public production notebook for
me. I have been working hard at upgrading my production concepts in DJ
work for the past three years, following up 6 years of production work
and another 10 years of research and development- well, that last part
mainly waiting for technology to catch up to my concepts and make them
cost-effective. I do, however, have every DJ and event planning company
in Florida reading it, though, and they are probably wondering what in
the hell I am writing about, because some of the things that I have been
working on is so ahead of anything else in that industry, that it is almost
alien. I have my own ideas, and my own take on things, and my concepts
do work. Besides, I would be bored if I tried to do things the way that
everyone else did them, and I worked within their limitations).
While I am at it, I might as well get my DJ
Frontier site up, too, since I’ve already begun
to market it.
So, I will get these sites online, and then connect the supporting sites
to them to get them indexed properly in the search engines. Connecting
does not mean marketing, though. There is a difference.
The sites have to be up so that the four sites immediately tied into Tampa
Shootouts, which is the site in the group that takes point, can
connect back to them.
Oh, and speaking of those event planning companies, I have third generation
shootout events and workshops in the works that will utilize the full
resources of those companies for shootouts and workshops that no one in
Florida will be able to compete with. Some of those events will be modeling
events that will have features like runway shows. They will require substantial
overhead and resources to pull off, however, so do not expect the third
generation shootouts and workshops to debut until at least 2014 (Like
a good chess player, I forecast moves years in the future, determine what
is needed, and prepare now). Let it be known that I have extensive, comprehensive
long range plans which will change the Tampa Bay photography and talent
markets, and these plans, with the events as the core, will tie all of
my businesses and resources together. The market will belong to us. Commercial,
fashion, portfolio, headshots, swimsuit, boudoir, glamour, pin-up, and
even more high-risk genres.... We will set the standards for all of that,
and will dominate the market in these fields.
Things will move faster now.
2.
Tampa Photography Events and Tampa Modeling Events
These sites have soft launched,
but are not fully operational. I need to get them there. The new content,
however, will not be aggressive like it is right now on Tampa Shootouts
(sorry, but the content on Tampa Shootouts right now is aimed at putting
aspiring competitors in their place, as well as set standards in the market
for modeling photography events and workshops. We have succeeded in that
goal, with strong evidence indicating that it has forced others in the
market to change what they are doing, some of them to the point that they
have gone back to the drawing board. In more than one case, our sites
have set benchmarks that have crippled aspiring competitors and their
events, because they haven’t been able to figure out how to keep
up with the new dynamics, and their lack of support infrastructure is
keeping them pinned). The new content will be marketing and support-centric,
with nothing controversial published. It will be friendly.
The sites will be overhauled, too, with much of the clutter in the menu
system done away with, and the site navigation simplified.
3.
Tampa Workshops
Much of the content on Tampa
Workshops will be replaced with more marketable content, since out of
all of my first generation photography events, these events cost money
to attend, and they have to be sold (Never mix controversy with sales.
It kind of makes it harder to sell). Tampa Workshops is kind of lean,
now, content-wise, and it already needed new content, so this is a no-brainer.
Also, expect the blog and the other features to be organized.
4.
Tampa Shootouts
Much of the existing content
on Tampa Shootouts is aimed at aspiring competitors rather than our target
market. There is a reason for this, and that reason is to set the standard
in the market and to put the competition in their proper place... To let
them know that they are outgunned and outclassed. Many of them are now
aware that they have a lot to learn.
This said, we are not going to be talking down to and criticizing our
target market like we have been doing to potential competitors, so the
Tampa Shootouts site has to be reorientated and organized to be much more
user-friendly. Sure, we stand behind our statements, and security measures
will still be adhered to, but there is no reason to beat people over the
head with these issues and to overstate our case. We will simply release
information on a need to know basis only, and keep anything controversial
transparent. I will not be dragging anyone into my fights, and will leave
such choices up to them. If people want to participate and keep things
on the down-low, they can, although it will be kind of hard to promote
them if they choose that redundant route; redundant because, with no controversial
content on the site, they will not have to keep anything on the down-low.
Tampa Shootouts will not be a crusade site. No business of mine will become
a crusade as far as the marketing goes (although, because I have strong
principle and a passion for my work, this is difficult for me to do. I
will leave the crusades on my resource sites, and will not promote them
to clients. Tampa Shootouts, and the other three sites, are marketing
and support sites, and not resource sites, necessarily, so there is no
reason to have anything controversial here).
Most of the existing content on Tampa Shootouts will be archived (my attorney
will have copies, so that we can prove plagiarism, if needed), which includes
most of this blog, which will probably be rebooted. I’ll probably
use this content in one of my books, such as in Advanced Model, my modeling
book which I am now writing and which I have a publishing deal for.
Tampa Shootouts will center on marketing and support. Nothing controversial,
mind you; I’ll leave that type of content to my talent resource
sites, such as Tampa
Bay Modeling, which has some great articles on shootouts
which have been praised by others in the industry.
Some features of Tampa Shootouts, such as this blog, will be organized
properly. The site will also be positioned for marketing and promoting
the shootout and workshop events, which will be done soon. I expect to
start the Beacon modeling photography shootout events, which will be private
and limited to my clients, in April, and will probably roll out the monthly
Athena shootouts, which are more public events and are the backbone of
our shootouts, this summer. This would mean that the workshops would roll
out this fall. I’ll have more information in the content of the
overhauled sites, I’m sure.
And that
is it. Expect this project to take the next week or so. I certainly cannot
market the sites until I have them where I need them to be. The Tampa
Shootouts, Tampa Workshops, Tampa Photography Events, and the Tampa Modeling
Events sites will remain Pioneer Class sites, but with refined
menus and user-friendly, marketable content. Please reference my Frontier
Pop web site for an idea of how the sites will be structured,
minus the published magazine format.
Links to articles
and experiences which inspired Tampa Shootouts.
Warning
to models about Tampa Shootouts
Standards
Have Dropped in the Tampa modeling industry
Statement
About Tampa Shootouts
Warning
to models about other Tampa shootouts
Amateurs
VS Professionals
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Saturday, February
11, 2012 - Tampa Shootouts Blog Post by C. A. Passinault
Web
Site Work And The Master Plan With Shootouts
I
will be tipping my hand a little in this blog post regarding my position
on the shootouts and the workshops, as well as reveal a bit about why
some of the second generation shootout events will not be free events,
but rest assured that there is a lot of information which I will never
reveal on a web site, nor will I reveal some details to attendees, especially
when there is no need to know those details. I’m ahead of the competition
in every front, and although I am confident that I would be able to increase
my lead even if I revealed everything, I intend to maintain market superiority
without going out of my way to help my competition and my aspiring competition
(stating the obvious about what needs to be fixed with their events is
as far as I am willing to go, and much of the content on Tampa Shootouts
falls in that category now). Dominance of the market will be maintained,
and I will continue to give myself every advantage possible.
Let’s just say that these shootouts and workshops are not my primary
business, although they are important to me, and are necessary support
resources for my business and some related projects. The trick, however,
is to make sure that I minimize conflicts. I also have to minimize the
ability of one interest to undermine another, as well as to address security
issues, and I have done that. As I have already posted, it’s more
of a matter of scheduling right now. I hope to have a definitive schedule
on the table by March or April 2012, although I will be aggressively promoting
the shootouts in March to raise awareness. That is, as if the shootouts
needed much help in that area, because this site absolutely dominates
search engine results for any type of photography event in the Tampa Bay
market (and those who have been stealing ideas from this web site have
already found that out, as many of the people who they are trying to convince,
with my concepts, to work with them are aware that I am the true source
of those concepts, and it is destroying their credibility and crippling
what they are trying to do. Backfired, didn’t it? You thieves are
no-talent idiots, and you are known by what you do, as your actions define
your integrity and your professionalism. Another cool thing is that the
people who know this are not only turned off on working with them on anything,
but they also would rather wait for my events instead of compromising
and getting involved with a third-rate knock-off of what I have going
on. Frustrating, isn’t it?).
It’s good to be the market leader!
First, let’s get to web site work. I am really swamped right now
with working on web sites, as I am assembling and launching a vast network
of marketing and support web sites for my photography and design company,
Aurora PhotoArts. Although each web site has a dedicated marketing domain,
and works as a stand-alone site, each site is also a section, with a dedicated
domain, of a much larger site. It is a meta site network (any competitors
out there who think that this is a great idea, and who attempt to follow
my lead.... Good luck! It will not be cost-effective. I have a ten year
head start on web site content, with hundreds of thousands of pages, I
have scores of support sites with that content, and I really do know what
I am doing. Hope you have a lot of time and money to spend, too!). I am
working on the initial 20 Mosaic Class sites right now, and this work
is expected to take me until the summer to complete phase one. I was going
to roll out three or so a week, but now, because I do not want to neglect
my other sites, I am going to take it slower, with only one or two a week,
instead. This relaxed schedule will be updated in the Tampa
Bay Photography and Design Blog today; While I work
on this network of web sites, I still want to be able to update and maintain
my other web sites, although this does not mean that I will be able to
do a lot of work on those other sites. The Aurora PhotoArts sites have
priority, and it is the same in regards to these events.
That doesn’t mean that I am going to skimp on the shootouts and
workshops, however, and it does not mean that I am taking them less seriously.
It just means that my photography and design business is my priority,
and that these events are a separate business which is not mixed in with
my primary business (although shootout programs such as Beacon do bridge
the gap between them when I want to support the events with resources
from my photography business). Regardless, though, the shootouts and workshops
are VERY important to me, and they have additional purposes which I have
not revealed to anyone (there is nothing shady about this, either. I am
not misleading anyone who I am in business with, or misleading anyone
who I am selling workshops to. There are just some details, and agendas,
which are secrets for business reasons, and to maintain competitiveness.
If I revealed everything, it would not be smart business, and it would
radically alter the balance in the market, as it would change how photographers
and event organizers work. It would also do so without me being the position
to take advantage of my own concepts, and I would lose control over those
concepts, which would take away my leverage in the market. I have plans,
and everyone will benefit from those plans).
Going back to my web site work, although I will not have time to do any
actual shootouts or workshops for a while, I will be working on the business
back-end of these events, as well as agreements, releases, and forms (I
already have a huge head start on this because everything was done in
time for the first event attempt on September 25, 2011. The paperwork
was ready, the event was ready, and I was there), and will be working
a lot on not only the Tampa Shootouts marketing and support web site,
but on Tampa Workshops, Tampa Photography Events, and Tampa Modeling Events,
as well. Just realize that, with any shootout, workshop, or modeling event,
that Tampa Shootouts will be the main marketing site for everything, leading
into Tampa Workshops, with Tampa Photography Events and Tampa Modeling
Events bringing up the rear.
Just know that, in 2012, we will have several shootouts and workshop events,
and that I intend, and plan, to have at least one of every first generation
shootout and workshop event this year (that is, the shootouts and workshops
revealed on the sites at this time, which are Beacon, Athena, Aperture,
Allure, Focus, and Lace). Also note that, of all of these events, that
the Athena shootouts are the backbone shootout event for all of the shootouts
and workshops, and that it is a regular, monthly event; once Athena debuts,
there will be a new Athena shootout event, with its specific title, theme,
and purpose, each and every month. I also plan on debuting the first of
those advanced second generation shootout events, shootouts which are
not free events, before the end of the year (I always plan ahead, and
predict what the market will be doing in the near future. Despite not
having a single official first generation shootout or workshop event yet,
I’m already planning for the second generation, which will be featured
alongside the then-established first generation events, in 2013. Please
note, too, that the second generation shootouts will NOT replace the first
generation, but rather augment them. All of the shootout and workshop
event properties developed are designed to be the standard for many years
to come, and those first generation events will be in service for a long,
long time. Of course, improvements and adjustments will also be made over
time to these event properties to keep them cutting-edge, and well ahead
of anything else that aspiring competitors, or our few legitimate competitors,
the latter not in existence yet, can deliver).
Those second generation shootout events will be formatted a lot like the
workshops, but will be smaller, leaner, and more specific, with less emphasis
on being a workshop with instruction, and more of a photography event
where photographers pay to take pictures of professional models, and those
models ALL GET PAID. I am aware that some models will not like training
other models in workshops, and that they just want to get paid modeling,
and that is what these second generation shootout events, shootouts which
are not free events, obviously, will be all about. These new shootouts
will not conflict or compete with Athena, either, because Athena events
are more private events, and are limited to professionals who are being
evaluated for subcontracted jobs primarily (well, they are, technically,
public shootout events which will be marketed as public shootout events,
but you have to be invited to attend, which means that everyone will not
be able to attend. This would not make it an open public event). For photographers
who want the best work with the best models, with minimal frustration
in getting the results that they are going for in their work, the second
generation shootouts will be the way to go, and they will be worth the
price of admission.
I can relate to those professional models who do not like the idea of
training their competition. I feel the same way as a photographer. I am
a professional independent photographer who has a career as a photographer
in a competitive and unstable photography market. I have the edge when
it comes to marketing and the business aspects of photography, and my
photography and design work is not only excellent (contrary to what a
vocal minority claim when they try to judge my work, without being able
to cite specifics, of course, which defeats their purpose), but it is
by far the most cost-effective in this market. I hardly want to teach
anyone how to compete with that. I’d rather work as a photographer,
and make money that way, than teach others.
With this revelation, however, if I do not want to teach other photographers,
why would I ever want to do workshops where photographers are taught?
First, there is a market for it, as well as a need. There are too many
workshops of questionable quality and motivation in the Tampa Bay market
already, and I want to offer a safer, more ethical, professional alternative
to what is available now. Second, offering workshops will make photographers
more confident and help the overall integrity of the Tampa Bay photography
services market, which benefits us all. Third, well, I don’t have
to teach. I can subcontract other photographers for that. These are my
workshop events, and I own and organize them, as well as execute them,
but it does not mean that I have to teach anyone anything. Besides, there
are good photographers out there who want to teach. It does not mean that
I have to. Oh, and fourth, I want to be able to offer good subcontracted
work for photographers, models, and others. It’s all about jobs.
We all want to work, don’t we? And fifth, I will make money from
the workshops without risking it conflicting with my separate photography
business. It’s win-win all around, I say, and that it why I will
be doing workshops. Also, there ARE benefits for my photography and design
business from doing the shootouts and workshops, but that information
is classified. Although I will be keeping the businesses separate because
of potential conflicts, all interactions between the businesses are not
necessarily conflicts. There are benefits, too, and the benefits will
be shared between the businesses as both are enhanced in more ways than
I will ever reveal.
Then we have my public relations issues, or what some may perceive to
be public relations issues. Seriously, if anyone is pissed off or offended
by anything on my sites, I really do not want to work with them, and I
say this with the confidence that it is far more their loss than it is
mine. I do not need them.
I have pissed off some photographers, too. There are photographers out
there who try to compete with me, and can’t. I could imagine how
frustrating that this could be. There are photographers who are into shootouts
and workshops, and I have them all going back to the drawing boards, cursing
me the entire time as they are promptly and totally schooled. I’m
really not doing all of this to purposely piss of people, however. I am
sincere about wanting to help the integrity of the photography and the
modeling markets, and given time, I will prove it. Give it time, and give
it a chance.
There have been photographers who were aggressive with me, and wanted
me to “sell” them on why they should bother to get involved
with one of my free shootout events (Athena). There are some who call
me cocky and arrogant, but the way that some of these photographers behave,
ironically some of them being the ones calling me those terms, do more
to demonstrate that these terms apply to them than anything that I do.
There was one who sent me a long ranting letter about not wanting to get
involved with my shootouts because he was upset that he had to read 14
pages of what he could not do (not only is this his loss, but this also
told me that he took the time to print out the information, which is interesting
in itself). Another one, who later proved to be an emotionally unstable
psycho (literally. He threatened one of my model friends, as well as one
of my photographer friends, over a difference of opinion), wanted me to
send him a list of the models who were confirmed to attend. Whatever.
I refuse to jump through hoops to sell anyone a free modeling photography
shootout event, especially when they are used to evaluate photographers
and models for PAYING SUBCONTRACTED JOBS, with no strings attached and
no bait and switches. If any model or photographer out there cannot comprehend
the benefits of the free shootout and workshop (I’ll explain that,
later, as I have some second generation workshops which will take on some
attributes of the shootout events) events, they really need to go back
to school and learn the business that they claim to be involved with.
I suppose that the photographers who I pissed off, and especially the
ones who I banned (there are now seven who are banned for life from my
events, not including several who have not interacted with me, but who
are identified as hostile aspiring competitors), will now try to compete
with me in the area of shootouts and workshop events. Good luck. One thing
that I know, for a fact, about the information that I do have up on these
web sites is that many people, upon reading what I am working on, sizing
me up, and seeing what they are up against, are discouraged from competing
with me. Don’t you think that was part of the plan? Do you suppose
that my sites are engineered to discourage competition by releasing just
enough information to make someone think twice about competing? Give them
just enough information for them to cry “Oh, S..t!” (I think
of a photographer that I nicknamed “Short Bus” doing this
in his southern accent, shaking his fist at his computer screen, especially
when he scrambled to take off his claims that he was a modeling agent
off of the Internet, and it literally cracks me up. It is entertainment
for me at his expense, especially when I schooled him and taught him a
lesson) and go back to the drawing board, if not give up all together.
Do yourself a favor. Don’t underestimate me or my people. We are
very good at what we do. Some of you already know that, though.
Why is it that over half of the photographers who I have seen out there
in the Tampa Bay market are unethical morons? Don’t they know what
they are doing?
So, I will be fighting people. There will be conflict. There will always
be jealous, petty people out there. There will always be amateurs who
pretend to be professionals who feel that they are entitled to have my
market share, and who will lie, cheat, and steal in an attempt to obtain
it because they are insecure and unethical, and really do not know what
they are doing. There will also be stubborn professionals out there who
are legitimate competition to what I am doing (again, I’m not seeing
this in the shootout or the workshop market) who are threatened by my
work, and as they refuse to see the big picture, they will only hurt themselves
by trying to take my market share. Good luck.
This said, I will NOT be dragging anyone into my fights. I am doing a
lot of work right now to keep potential conflicts out of my business endeavors,
and will be working hard to isolate my clients from my more aggressive
activism work. They have complete control over how much they want to get
involved, and can stay on the down-low if they wish.
That’s the way that it is, and it is the right thing to do, especially
for the overall integrity of the market.
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Tuesday, January 17,
2012 - Tampa Shootouts Blog Post by C. A. Passinault
When
the “competition” admits that you are better, and that they
cannot compete. We set the standards in the Tampa Bay market before we
even begin, and it is costing others a lot.
As
I concentrate on a huge web site project which is for my photography and
design company, Aurora PhotoArts,
building and deploying a network of 16 Mosaic Class marketing and support
web sites in the next two months, I am noticing some things. I’m
going to take the time to come full circle, too, and to post my thoughts
on this before getting back to my main project.
Recently, on January 12, I noticed a “competitor” set up “screening”
events for workshops. Get many ideas from our Athena Shootout format?
It is obvious that they did. Some people have been studying this site.
These people are so predictable. Follow the leader!
It really flatters me that these characters tell me, though their actions,
that what I have is better, that I am better, and that they have to resort
to stealing from me and copying me to be able to compete. That is why
they fail. I’d also like to remind everything that, despite their
inability to make my ideas work as well as I can, because of some major
details that I have purposely kept off of my web sites and under the hood,
that it is the thought, and the action, that counts. They are cool with
ripping me off, and in their minds, they are ripping me off. They are
what they do, or what they perceive that they do. If they “rip”
me off, they will do it to you, too; except in the case of their target
market, they will probably succeed in ripping you off. If they show that
they cannot be trusted, and that they are not honest, though their actions,
can you really trust them, and is working with them any real benefit to
you?
At this point in time, although I did not cancel the first attempt at
an Athena shootout event on September 25, 2011 (and I showed up ready
to go), and I rescheduled it, we have not had a single shootout or workshop
event under Tampa Shootouts or Tampa Workshops. Despite not having an
event, we have already set the standard in the Tampa Bay market; I’ve
purposely published information on these web sites to help the integrity
of the market, and I’ve seen more than one “competitor”
(actually, all of them) react to the new conditions that we have introduced
to the market, dump their existing business model, and try to copy us.
The one good thing about all of this, despite their continuing inability
to compete against events which have yet to happen, is that these guys
have been forced to pay models and talent who work in their workshops.
I’m happy about that.
Models who are getting paid working events in the Tampa Bay market where
they were not previously being paid can thank me.
The funny part is that, in at least one case, that our efforts have driven
up the overhead of producing shootout and workshop events substantially,
and have cost someone a lot of money. This strategy of changing the market
and driving up costs for people who are not good enough to adapt to the
new conditions will continue not just for shootouts and workshops, but
for my photography business market, too.
I’d post the following on my photography and photographer blogs,
but those blogs are about to be overhauled, so I will post it here, especially
since I know a lot of photographers who are trying to compete with my
photography business are reading all of this.
Right now, there are photographers who are enjoying “sponsored”
results on search engines such as Google, and not bothering to invest
resources in effective web sites and marketing. They simply pay to have
search results.
This strategy is about to become very expensive.
Enjoy it while it lasts.
Once I solve the SEO 2008 issue (which is really pretty much solved already,
anyway, as it was taken care of over a year ago), and get my new web sites
to where they need to be, I will begin pouring money into advertising
in search engines and sponsored search results, covering all of the angles
since my web sites will already be at the top of the search results for
relevant searches. I’m going to drive up the costs for advertising
with certain keywords, and make it far less cost-effective to advertise
in this way. I’m even going to go to the point where I am willing
to lose money on it, since I will be able to compensate in other ways;
I’ll lose money on advertising with search engines to lock up the
competition, and offset those losses in other areas. This will force the
competition to work harder, and to invest in real web sites and other
tools. There will be no more easy way to do business in this way.
It’s going to be so expensive to buy targeted search results, that
some will simply quit doing it. It’s going to happen, and this is
something that I am very good at. I love driving up costs and operating
overhead for the competition.
At any rate, since this will be the last post on here for a while, I figured
that I’ll give readers some links to some articles that I wrote
last year in regards to shootouts and workshops. 2011 was a very interesting
year, and I was inspired to finish up work on my modeling photography
shootouts and workshops because of experiences that I had in the past
year. Until later, enjoy!
P.S. And this will be the final blog post before the blog section is organized.
You will see.... Those empty navigation links will soon be used for something.
While we have plenty of content, and most of this content will be removed
from the site, the remaining content will be organized properly. Some
content on our news page was removed today, too.
Links to articles
and experiences which inspired Tampa Shootouts.
Warning
to models about Tampa Shootouts
Standards
Have Dropped in the Tampa modeling industry
Statement
About Tampa Shootouts
Warning
to models about other Tampa shootouts
Amateurs
VS Professionals
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Monday, January 9,
2012 - Tampa Shootouts Blog Post by C. A. Passinault
We
will be doing private Beacon shootouts for a while, and most can watch
and wait. We are going to take our time and prepare for public shootouts
like Athena and Aperture.
This
will be the last (long) blog post and update for Tampa Shootouts for a
while. I will be spending all of my time working my photography business
every day, working on 16 marketing and support sites for my photography
business, I’ll be doing even more shoots and Beacon shootouts on
the weekends, and on the weekend nights, I will be updating other sites
while converting my archived DJ release tapes to digital releases (the
joys of having several computers. On the weekends, I will be working with
four computers simultaneously). With the DJ releases, there are about
30 of them, and each is 90 minutes, and has to be converted in real time,
edited, remastered, converted to MP3's, and then the JPEG covers have
to be designed and the program notes have to be written; I’ll be
lucky to get four of those done a week. I was a popular underground DJ
in the 90's, and I have a huge library of work. See my Tampa
DJ Blog for more, and yes, I am far more than just a photographer
and an event planner. I’ve already been contacted by music producers
who have seen my design and conceptual work, and I’ve booked subcontracted
work from them). The project will take at least nine weeks, and I will
be slammed until at least mid March, 2012. In the Spring, I will be clear
to spend more time on events, and on my talent resource sites. I will
also have more time to spend on this.
I WILL, however, be doing some Beacon shootouts with my models on the
weekends during this time. These shoots will be classified and private,
although they will be covered like regular shootout events are, and that
coverage will be published in the Spring when I am ready to market the
shootouts. Even after that time, I may wait, although the official wait
for the Athena shootout debut is Spring. I will no longer depend upon
strangers to make these shootout events happen. Everyone can watch our
success, and wait. I’ll make you want to participate, and even then,
I’ll still be picky about who I allow to participate (get aggressive
or testy with me, and I’ll never work with you, and you will never
participate with any of my events, either, nor will you be considered
for any of my subcontracted jobs. There are way too many professionals
out there who I can work with for me to waste my time with B.S.; the trick
is to weed through the masses and uncover the real gems who are worth
collaborating with. I’d rather spend my time finding those professionals
and cultivating a relationship with them where ALL parties involved mutually
benefit). Things will look a lot different a year from now, for sure.
You will see.
Anyone out there who wish to do their own shootouts/ workshops (and I’m
sure that they will be copying the formats which I have allowed to be
revealed on this site. At least one competitor is now doing “screening”
shootouts, an attempt at free events like our Athena shootouts, to audition
models for workshops; although they do not have branding, web sites, or
other professional resources to support them. It’s nice to see that
people are proving with their actions that we are better, as well as the
real deal) and compete with me are welcome to try. Go ahead. Try. Please
try, and keep trying, because you’ll never achieve what you are
trying to do, and succeed, if you have to copy our efforts. Primitives.
I’ve been receiving quite a few complaints about the hostile tone
of this site, and about all of my opinions that I have been publishing.
Well, what do you expect? These shootouts are not even my main business,
and I don’t make a dime off of them; I put months of work setting
them up, and then no one shows up. Then, after that, a photographer backstabs
me. I am quite disgusted by the unreliability of so-called professionals,
as well as the unethical and unprofessional conduct, and I don’t
have to deal with it. I’m also sick and tired of the photographers
stealing from me and backstabbing me, and I do not have to deal with that,
either (anyone caught will be banned from working with me or any of my
projects, for life. Demonstrate to me that you can not be trusted, and
that you lack ethics and integrity, then I will know that you are not
worth dealing with, and I will gladly take away your market share). These
shootouts will proceed with or without them, preferable without, especially
since I only want to work with professionals. I’m going to tell
it how it is. The point of the shootouts is to help other professionals,
and people need to realize that. If these so-called photographers and
models do not realize that, then it is their loss, and not mine (I guarantee
that people who are “not interested” will be begging to participate
in the future, and I am certainly aware of who these people are). I certainly
do not need other photographers to make it in my business, and I already
have plenty of models (which is one the problems, I suppose, when my friends
are the models whom some of these photographers want to work with, and
my models want nothing to do with them). Also, these photographers and
models, providing that they are experienced and qualified to work the
market, need to realize that the shootout events are a doorway to paying
subcontracted jobs at our workshops. They are REQUIRED to participate
with the Athena shootouts in order to be considered for those workshops
jobs (and this is the main reason that I do not charge anything for the
Athena shootouts, as it would not be ethical to charge anyone anything
to be considered for those jobs. No bait and switch here, thank you. I’m
professional and ethical, and I can be trusted, and the professionals
who work with me will find this out. Despite the perception, too, I am
also not paranoid. I am aware. There is a difference. I’m also not
antisocial, mean, angry, or unfriendly. I’m just frustrated because
these people are supposed to be professional, and I am voicing my opinions
about the issues. Some of my best friends are at the top of the industry,
and I have not only earned their trust, but we get along quite well. They
trust me, as well as my views on the market and how to best market their
careers. How many in the industry today can say that they have earned
the trust of others?).
If anyone is angered by these statements, feel free to learn from what
I have published and go out and do their own shootout events. Good luck.
I will not lose any sleep over it, and they will discover first-hand my
frustration about the irresponsibility of others. Maybe then, after they
have stood in my shoes, they will realize that my statements are justified.
It will also be highly amusing to watch these people try to compete with
me, not just in photography, but with my shootouts and workshops. Resistance
is futile, and so is competition. Blue Ocean, baby, Blue Ocean. I am into
expanding the market and in redefining the rules on how it works (wait
until you see what I am about to do to photography in the Tampa Bay market.
My innovations will change, and even revolutionize, not only this market,
but the industry as a whole). I don’t just run a business, but I
run the entire market, keeping the competition off-balance while forcing
them to react to the innovations which I engineer.
Don’t get mad at me because I am delaying the public shootouts such
as Athena. The market has proved to me that it is not yet ready for innovative
shootout and workshop events, as those innovations are wasted on the insecure,
unprofessional, petty majority. Get mad at the people who have been idiots,
as everyone is now paying for their mistakes (and, yes, I am dancing in
front of my computer as I write this, literally, because I can. I am writing
and jamming to music in the studio, with a virtual light synth lighting
up the room from a monitor in the corner. I’m not really mad, as
this frees me up to make money in my photography business, and I am kind
of glad that people are idiots. I’m having fun!).
Of course, I will be removing the inflammatory content on these sites,
and will post marketing-friendly, relevant content when I am ready to
proceed with marketing the shootouts (and you will not find me ranting
on my workshops sites, because unlike the free shootouts where I offer
more than the participants offer, making it a “sellers” market,
the workshops actually sell something, and they have to marketed well
so that they do not alienate our customers. The workshops are more of
a buyers market, and it will be tough to bring it up to a balanced sellers/
buyers ratio). I will keep this content up on these sites in the meantime
so that people know how I feel, and where I stand. If you are the professional
that you claim to be, act like it. Be responsible. Also, learn to recognize
a good opportunity in these shootouts, and realize that these are good
for your career. Some might not think so right now, and they might want
me to “prove” it or to “sell” them on it, but
it will become obvious in due time. The shootouts and workshops will happen,
they will continue to set the standard in the market, and those who gave
us a hard time will find themselves on the outside looking in long after
they realize that they were wrong and want to get involved. I remember.
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Friday, January 6,
2012 - Tampa Shootouts Blog Post by C. A. Passinault
A
candid statement about Tampa Bay photography shootout events and workshops,
modeling events, and the market in general.
I’ll
try to keep this brief (going back to this opening statement after writing
this blog post, it didn’t turn out to be brief, but it needed to
be said. Oh, well!), as I have a lot of work to do on other web sites.
This, however, must be said.
We all know that I have put a lot of work into Tampa Shootouts, Tampa
Workshops, and other event projects for photographers and models. I am
quite proud of the new standard which has already been set without having
a single event, as competitors have reacted, and actually changed the
way that they do business as they try to adapt to the new market conditions
and compete (in other word, their actions telegraph “You are
better than we are, and we have to try to copy you in order to be able
to compete. I sure hope that people do not realize that you are better,
because we cannot seem to get our shootouts and workshops as good as you
have yours, despite our attempt to rip you off.”... Of course,
these characters do not realize that trying to rip us off backfires, because
we now have massive search engine presence, and just about everyone
knows that they are trying to copy us, and what we do, and this destroys
their credibility. It’s too much of a risk when anyone
can easily verify the true source, and no one can ever be entirely certain
about who knows what, and if trying to rip us off will cost them work).
I’m very proud of this.
This said, you can’t fault what I’ve done so far (If I had
done anything wrong, I would be the first to admit to it and to assume
complete responsibility). I spent a lot of time and effort working on
Tampa Shootouts and the support sites, and did what I said that
I would do: On the morning of September 25, 2011, I was
there, and everything was ready. Had anyone showed up, we would
have had an awesome shootout event. Had anyone showed up, I wouldn’t
have had a problem with it. This said, I am not responsible for what others
do. If they are unreliable, it’s their deal, and not mine. It doesn’t
reflect on me, either, even with the inflammatory content and the charged
opinions on here, because at that time, none of that content existed.
It can be said that a law of human nature is that people will do what
they consider to be in their best interest. This does work, and it tends
to make people predictable. After that first attempt at a shootout event,
I realized that the events would require support infrastructure, and that
I would have to staff them with trusted, reliable professionals so that
we could proceed regardless of what anyone else did. I realized that I
could not rely upon strangers who claimed to be professionals to make
an event happen, at least not anymore, although, in the past, I have done
large, successful shootouts, auditions, and group projects with most of
the people being reliable (one theory is that people are so saturated
with social media and texting these days that they treat everything as
disposable now, and don’t respect anything. If you don’t invest
in a career, you will not respect it, and, as a result, you will not be
professional or dependable because your are not really a professional.
Modern technology enables EVERYONE to have a voice, regardless of their
qualifications, and that adds a lot of noise where the true professionals
are now in the minority, and harder to find if you don’t know what
to look for). It’s just ironic that now, when I create and deploy
the best events that I have ever made, and the best photography shootout
events that the Tampa Bay market has ever seen, that I now have problems
that were unheard of in the past, and these problems are completely senseless
and unnecessary.
That’s just the reality of the situation. We have an industry where
people do not have to invest in anything in order for them to claim to
be a player. Because of that lack of investment, they do not respect their
work, themselves, or others. On the flip side, you have people who take
advantage of cheap technology. People want to be photographers to work
with attractive women, or whatnot, and they go out and buy a bunch of
brand-name photography gear. They then jump in and start working as a
“photographer”, without learning their craft, and with questionable
motives. They think that just because they have equipment that it makes
them a player, and that they are entitled to have market share. Some of
these people don’t have the talent or the skill to do professional
level work, however, and despite what they claim, they know this, and
the result is that they are insecure. That insecurity makes them jealous
of real photographers, and untrustworthy.
Despite the fact that I do not own the latest and greatest equipment,
which I do not need to do good quality work and to do my specialized work
in talent headshots and modeling portfolios, I am a professional photographer
with a lot of experience and skill. The proof is in my work, which I am
also very proud of. I recently had a photographer with limited experience
and no talent, but a lot of brand-name equipment, pester me with 1,000
questions (I had to disable my messaging system on Facebook because it
was hard to get anything done with all of his messages), and pretend to
be a friend. Some models warned me that he like to trash professional
photographers because he wasn’t as good, and this was confirmed
when he trashed other photographers in my communications with him (I certainly
did not trash anyone in my communications with him, and I try to avoid
talking bad about anyone, but I did question a photographer who also owned
an agency, which is a conflict of interest). Because of this, I did not
trust him, but I was open to allowing him to earn my trust over time.
The photographer, who is tied into some obscure modeling “school”
(which I questioned because I myself have turned down working with well-known
national modeling schools on principle; although I do not think that all
modeling schools are scams, I do not think that they are a good value,
and, as a result, I do not want to be associated with them regardless
of how much money that they offer me), kept asking inappropriate questions
about rates, so I told him a bunch of decoy numbers. Well, wouldn’t
you know that those numbers turned up in an online post from another person
attacking me, which tipped me off that he was bad-mouthing me behind my
back (I’m not sure where the person who attacked me obtained their
rate information, however, because those rates were way higher than anything
that I charge. They did a great job making sure that the information was
accurate, for sure! Actually, the moron doesn’t have a clue, and
they are completely wrong about me.). This, too, was also further confirmed
when the idiot who was attacking me posted a glowing interview with him,
promoting him as a “real” photographer. This was actually
amusing, however.
At that point, I had to take a look at his work, which I really did not
take the time to do, before. Some of his work was ok, but I never criticized
him to anyone or shared my opinions about it. I also figured that his
headshot and modeling portfolio work was simply hard to find.
Hey, if I was marketing myself, I’d make sure that examples of what
I could do would be easy to find. After all, that’s how I get work.
People see my work, they call me, and they book me because they like my
work. I do not make them promises, or convince them to do it- they call
me, and they want to book my work. They are all happy with the work that
I do for them, also.
Not this guy, as far as finding examples of his work. He tries to sell
himself as a modeling portfolio and a talent headshot photographer (ironically,
my primary market, and the market that most photographers and aspiring
photographers dream of working in), but all that you find are mediocre
portraits, with often bad composition. Headshots? What headshots? Modeling
portfolios? Where?
It’s pathetic, really. Let’s not get into rates, either. This
guy does not know what appropriate rates are, and he charges way less
than even his mediocre work is worth. Although my rates are privileged
information, and only available for clients (with the exception of this
one web site that I am working on now, where I will post some rates, and
there is a reason for this, but I’m not revealing it), I will say
that I don’t do headshots for $100.00, and that I certainly would
not do a five look modeling portfolio for $250.00 (I liked the package
where he threw in 100 modeling composite cards for $100.00. With the mark
up on printing comp cards marginal at best, since the set up and printing
costs are so high to begin with, I have to wonder about the quality of
those cards. You can get crappy, flimsy, low quality laser comp cards
for that, or less, but they are not worth it. This guy, in my opinion,
does not know what he is doing; no wonder he kept asking me questions).
That’s too low, and you’re just throwing away money at those
rates. Hey, if he wants to be known as a low-rent, discount photographer,
so be it. Knock yourself out.
I’m just over this, really. I don’t have a problem with professional
photographers or models. Many of them are my friends. It’s the amateur
ones who are the problem, and there are a lot of amateurs. Stories like
the one that I just shared are not anything new. I’m used to them.
Now, I’m not saying that I am the best photographer in the world,
but my work is good, I know what I am doing, it’s worth booking,
and I am very proud of it. I work hard, and invest a lot into marketing
and my career. What happens, though, is that you have these wannabe photographers,
especially the ones who go out and buy a ton of nice equipment, who see
me on their radar a lot due to search engine results and word-of-mouth,
and they get jealous. I’m sick of this. Just take pictures, pay
your dues, learn the business, and may the best, or more specifically,
the most relevant photographer for the job, get the work. With this one
back-stabbing, low rent, mediocre photographer with a fetish for brand-name
equipment, I’d suggest that he sleep with his camera, because that
is the best use that he will ever get out of it. You can’t grow
talent; you either have it or you don’t. Don’t even try to
compete with me. You know that you can’t.
I’ve been pissing off photographers for years by doing good work
in a more cost-effective manner with equipment that they think is inferior.
The equipment, or camera, does not make the photographer- Talent and skill
do. While skill can be earned over time, talent is something that you
ether have or you don’t. Some photographers get around a lack of
talent by simply copying what other photographers do. This is why they
never really succeed.
My clients love my work. I love my work. Although I do not allow equipment,
or lack thereof, to define me as a photographer, or to define my career,
better equipment does make the job easier, and even opens up new capabilities,
if you already are a good photographer. The Tampa Bay modeling market
is commercial, and not fashion, at least not yet. Actor and talent headshots
need to accurately represent what the subject looks like, and also do
not need to be overdone. As a result, modeling portfolio photography and
talent headshots in the Tampa Bay market do NOT require a ton of equipment
and fancy cameras. My work proves this. Now, as Tampa Bay does grow toward
fashion, and for jobs such as high-end commercial photography, you do
need a lot of equipment, the point is that in order to work those higher-end
markets, you already have to be a good photographer, and just getting
the equipment does not make you that photographer. I’m ready for
newer and better equipment, and for other types of photography, I’ll
need it. It’s just that what I use now is fine for modeling portfolios
and headshots, and even when I obtain more and “better” equipment,
I will never get more cost-effective and logistically efficient as I am
now. The returns on that investment for what I specialize in now are not
that much better with more and better equipment, and it cannot get much
better than it already is.
Of course, as I’ve already stated, you have to be a good photographer
to begin with to make anything work.
A photographer friend (obviously not the backstabbing photographer) of
mine posted on Facebook that haughty statements on web sites, and bragging
about your work, inspire your competition to bad mouth you to people.
Well, I don’t brag about my work, and I can’t help it if people
perceive it that way. I would also submit that people are going to do
what they are going to do. You can be the most humble person in the world,
but if they are jealous of you and covet you market share, they are still
going to bad mouth you. This is especially true if you ARE too humble,
and they perceive you as weak, so it works in more than one way. A person
is defined by what they do, and through their actions.
You cannot control what people do or think, and even if you could, you
shouldn’t have to.
Which brings us to the shootouts.
I set up the best modeling photography events possible, and they are very
well put together, so that professionals can network, and models and others
can get work. Although the shootouts and the workshops are NOT my main
business, and photography is, I am working hard at this, and I am putting
a lot into it. With photography being my main business, however, I have
to make sure that the shootouts and the workshops do not conflict with
my photography business.
This is why, back in 2005, when I watched a Tampa glamour photographer
do high-risk modeling photography shootouts (charging $500.00 a person,
which was way too much, in my opinion, for any shootout or workshop event,
just like any photographer charging $600.00 for a modeling portfolio or
testing is charging too much, as well), and promoting such work as mainstream
and career/ marketing safe, I knew that, eventually, I would have to start
my own shootout events. Now, what happened back in May 2011 attending
the shootout event in Tampa was NOT the reason that I created Tampa Shootouts
and Tampa Workshops; it was the final straw, and a catalyst for the shootout
event concepts that I had been working on for years (and, no, I did go
to the event to shop them or to steal ideas. I do not do this, and even
if such things had never happened to me, my sense of ethics and integrity,
which I take very seriously, would prevent me from ripping anyone off;
if I even use the ideas of anyone, I usually improve upon them, and I
always cite the source, and never pass off the ideas of others as my own
(of course, it could be argued that since I have never found the ideas
of anyone in the Tampa Bay market worth that much, that my integrity in
this matter has yet to be truly tested). My motives were pure, and I was
honest. Even though the event was poorly organized and there was nothing
worth stealing, and the fact that I was isolated from most of the event
to begin with, I still would not have taken any ideas had they had any
good ones to take. People try to steal ideas from me all of the time,
and I would not do it to anyone). All of the concepts, with the exception
of the anti-sniping consideration, which was an issue that another photographer
brought up where I expanded upon it and came up with solutions and a name
for the conduct, are my own, and original. Why else would those other
organizers drop their long-established business models and immediately
create new ones trying to copy what I have revealed on these web sites?
Follow the leader.
So, I’m going to be bullish about this. I’m going to stick
to my guns. I’m going to observe what people say and do. I’m
going to remember.
I’ve solved the potential conflicts between my photography business
and the shootouts and workshops. I’ve resolved the attendance issues
and the security issues, too. It’s all about pure logistics, now,
such as building up the support resources and the staff that we need to
proceed. Regarding conflicts, some large ones that I were concerned about
were hostile competitors attending my shootouts to shop me and
to learn from me. Another was that I am a professional photographer
in a competitive business, and I was not too keen on training other photographers
(I always wondered about that glamour photographer and his shootouts,
because he seemed too focused on teaching photographers. What, he couldn’t
book much work on his own, so he resorted to teaching? That is the easiest
way to avoid a conflict of interest!). Well, with the workshops, I will
subcontract other professional photographers to teach them. I’m
not going to be teaching workshops, as I am NOT going to train photographers
in my marketing and business tactics so that they can use them to compete
with me. Besides, I am a working professional photographer who simply
wants to work my career, and I will organize and run the workshops because
it will help the integrity of the market, as well as be a source of profit
which does not conflict with my main business (Shootouts and workshops
ARE different, also. I do not make a dime off of shootout events such
as Athena, which is our main, and backbone, shootout event series. I will,
however, be making money from the workshops. I will also be making money
from some second-generation shootout events now in development, as those
shootout events will not be free events like Athena is. If any one does
not understand how this will work, please read more, or take a business
course somewhere, because I am frankly tired of the ignorance about business
basics in the modeling and the photography industries. I’m not going
to waste my time explaining it. I recently had a so-called professional
model call me a fraud because I disagreed with her about agencies, where
I stated that models can have a professional career on their own independent
of the agencies, and only use the agencies as one of many sources of modeling
jobs. She was brainwashed by the agencies to blindly think that the agency
way was the only way; had she known anything about business, she would
have known that an open market is superior to a closed market. Independent
trumps limited, and closed, every time. The modeling industry is backwards
and corrupt because the agencies which are supposed to be working FOR
the models overstep their bounds and control the models. The agencies
need to know their place, and stay in their proper place, and model who
allow themselves to be managed and dependent upon the agencies are going
to lose work from models who not only compete with them, but who also
compete with the agencies themselves, cutting off both the agency models
and the agencies from the jobs. It’s already happening, and it will
happen a lot more, soon. This is why agencies are becoming less and less
relevant in the industry, and some people simply cannot accept that. Also,
to the idiots who suggest that I “educate” myself about how
the industry “works”, well, I might suggest that they take
their own advice for once. I wrote the book on working independently;
hell, I’ve been doing it for years. I am an expert on how the modeling
industry works, and I have the backbone to stand up and say that enough
is enough, and that there are better ways. These spineless, clueless idiots
are the ones that need the education, and I am about to educate them as
my associates and I change both the modeling and the photography markets
here in the Tampa Bay area, at the expense of those who allow themselves
to be ignorant and limited. Idiots.). So, anyone planning to attend workshops
to learn from me will be disappointed. Besides, there are other qualified
professionals who have careers, too, and who actually feel more comfortable
teaching potential competitors.
Well, this has already been longer that I wanted it to be. I just had
a lot to write about, and to express.
I have a email from a photographer that I would like to share. He’s
a good photographer, and a great guy, and I ask for his forgiveness for
sharing this (and I will remove it if he requests it). This is a on the
fly sort of post, though, and it hits things on the head quite well.
10/15/11 4:53 PM
Hello:
I saw the post you made in the (portfolio networking site) forums about
group shoots in the Tampa, Florida area. When I went to look at the post
there was nothing there. I don't know if you forgot to write something
or if the powers that be at (portfolio networking site) decided to delete
your post.
I am an active photographer living in the Sarasota, FL area and I have
been shocked at the lack of shoots in this area as opposed to the numbers
of so-called "photographers" who whine and cry about it but
yet do absolutely nothing about it. I have tried on two separate occassions
to set up shoots in my area and have gotten little if any responses (at
least he knows how I feel - CAP).
If you are setting up and promoting group shoots in the Tampa, FL area
I am very interested in learning about and attending some of them. I would
appreciate it if you would keep me in mind and advised of your shoot as
you set them up. Thanks and I look forward to hearing from you and perhaps
attending one of your shoots in the near future.
My reply:
10/18/11 5:41 AM
Hi!
MM didn't ban or remove the post. I did, and then tried to delete the
thread, because the post was expired. I found out, though, that once you
post a thread, that you cannot remove it. With the site leaving an empty
thread up there, it does appear that I spammed the forums and that they
removed it, but that is not the case.
Regarding the shootouts, I, too, know what you are talking about, because
my first attempt at a shootout last month had a lot of no-calls / no-shows.
I'm fixing this. I have the first of my monthly Athena Modeling Photography
and Networking Event Series shootouts in January, and then will start
having workshops soon thereafter. With the shootouts also being used to
evaluate both models and photographers for paid subcontracted work in
the workshops, I don't see any problem getting people to become involved.
That, coupled with the massive marketing that I have planned, and the
on-site marketing where people can see videos and other coverage of the
shootouts and workshops that they missed, will help to get people interested.
Once these events get going, they will quickly become both dominant and
popular.
Problems fixed.
I looked at your work, and I like it. I also completely understand where
you are coming from. You are certainly invited to participate with the
shootouts, if you wish!
Feel free to check out http://www.tampashootouts.com/ and http://www.tampaworkshops.com/
. Both sites use a concept that I call "symbiotic marketing and support".
This is the solution that the Tampa Bay area needs, for sure!
Sincerely,
Chris Passinault
Aurora PhotoArts
Those emails
certainly do hit it on the head.
Regarding these shootouts and workshops, I do not care what anyone thinks,
as I do have interested professionals (and even if I did not, I have measures
in place that would make them interested). They are going to happen in
2012. Right now, I’m tied up with photography bookings, and web
site work. It will be a few months before I can spend much time on the
events. They are coming, however.
I also would like to point out that the shootouts are doing a great job
of screening the flakes from the real professionals; the professionals
who are our real target market. These shootouts and workshops will happen,
they will be awesome, they will build momentum, and the people who gave
us a hard time or refused to initially participate will be kicking themselves.
I’ve already had at least one photographer who was excited about
the workshops quit for whatever reason- What is he going to do, now? If
he still wants to do workshops, either on his own or with others, such
as competitors, I wish him luck. Tampa Shootouts and Tampa Workshops will
dominate and lead the market. We will maintain the standard. This is the
best ship, and people who jump overboard will find that it will be difficult
to be rescued and to return to the ship in such rough seas. Go right ahead.
Drown yourselves.
When the shootouts start, which could be as early as next month with our
first Beacon Shootouts, I will be working with my models and select photographers.
These private shootouts will be covered just like any other shootout event,
and the material developed from them will be also used to market and support
the other shootouts and workshops (in marketing material. Content supporting
specific events will not misrepresent that they were done at that event,
which would imply that the individual pictured attended and participated
with that event. Photographs and videos represented as taken as a specified
event would NOT use Beacon material, and the context will be clarified
in any use of any material for any reason. Expect published references
where content, such as photographs, are referenced back to the source
event for clarification. I’m not going to lie to anyone). Once the
Beacon Shootouts help build buzz, and they will be covered on Tampa Shootouts
and our other web sites (which already dominate search engine results),
we will have the staff of supporters to staff our other shootouts events.
The Athena shootouts will finally debut, and they will happen every month
regardless of how many outside people participate because the core staff
are all that we will need. Also, after the general public checks out our
coverage, and sees what they are missing, they will want to get involved
(I have other things planned, too, but I will not reveal those strategies
here). Additionally, professional models, photographers, and make-up artists
will get involved because attending the Athena shootouts is mandatory
for the consideration of any of our paid subcontracted workshop jobs (there
is more, too, but, again, those strategies are classified. I don’t
have a problem sharing information on here that could help competitors,
but I will not give away the store; I often keep key details a secret
so that stolen concepts are not as good and as effective as they could
be).
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Wednesday, January
4, 2012 - Tampa Shootouts Blog Post by C. A. Passinault
Independent
Modeling R.A.S. to be used in screening process. New photography shootout
event property. Site content overhaul planned.
To
start, I wish to convey to everyone reading this that I hope that they
have had a happy new year, as this is the first blog post on Tampa Shootouts
for 2012. With the holidays now behind us, we can now get back to work.
With all of the issues that we’ve had with our shootout events so
far, with the no-call, no-shows in the initial Athena shootout event attempt
back on September 25, 2011, and the security issue which cancelled the
second attempt on January 15, 2012, progress has been made, and solutions
are now in place. Now, it is only a matter of scheduling (which I will
get into in a bit).
Regarding the main solution, which will solve the issue of the no-call,
no-shows, as well as most of the security issues, at the same time, I
already had a solution developed. For the past five years, I have been
working on a way to make models accountable for what they did in their
careers, as well as to provide an easy way for modeling jobs to evaluate
the models before they booked them, enabling the modeling jobs be more
at ease cutting modeling agencies out of the loop when booking independent
models. In 2008, I talked to some photographers and some models who indicated
that models were becoming especially flaky, and although I had not experienced
this behavior at that time (I would have shootouts with as many as six
models, and of those six, maybe one would cancel, and that would be rare.
Most of the time, everyone would show up and do a great job), I realized
that this would undermine the independent modeling movement and give the
agencies more credibility than they deserved. So, with two years of work
already into a system which would make models accountable, work on that
system increased. Today, that system, the Risk Analysis System, is ready
to be implemented, and I would like to say to all of the modeling agencies
out there who have been resting easy, because they thought that the independent
modeling movement had tried and failed, that they have not seen anything
yet. We are just now getting started, after a decade of research, development,
and preparation work. 2012 may not be the end of the world as we know
it, but for the modeling and talent agencies, the writing will certainly
be on the wall.
If anyone out there plans on investing in modeling agencies, depending
upon modeling agencies, or on starting a modeling agency of their very
own, I would suggest that they reconsider, as agencies are about to become
a bad investment (and do not think that modeling jobs will avoid dealing
with independent models and will not cut agencies out of the loop. I know
better, because I have talked to a LOT of agency clients over the years,
and believe me when I say that they are hardly loyal to the agencies.
They tell me that agencies are mostly useless, that they add unnecessary
costs, that many bookers and agency owners are shady, and that they would
gladly avoid working with them- and they were very interested in what
I was working on, and what I had to say. I’ve also done some work
quietly behind the scenes that the agencies are not aware of, and if they
were, they would be very, very concerned. An open market is superior to
a closed market, the closed market being the agency way, and I’m
going to prove it. It just will not be me alone, however, as I will have
hundreds of models and others to help). This is especially true for what
is ground zero in a revolution in the modeling industry, which is Tampa
Bay. The Tampa Bay agencies will be the first to experience a radical
change in the market, and most of them will end up losing market share.
Some of them will end up going out of business, and I won’t be sad
about that, to be honest. Oh, and models and photographer who kiss up
to agencies and who are dependent upon them are in for a very rude awakening,
as they will not be able to compete with independent models, talent, and
photographers. They will deserve what they get, too.
This post is not about modeling agencies, or about Independent Modeling,
however. It is about the topics above in the title, and the first thing
is about using the Independent Modeling R.A.S. (Risk
Analysis System) to screen photographers and models for
participation in the shootout and workshop events.
It is ironic that I already had the solution already developed and ready
to deploy, and I only had to make a few minor adjustments. So, we now
benefit from five years of work to solidify the integrity of our events,
and it did not take five years from this point because the work was already
done.
It can be said that anyone can be a saint in paradise, or, at least, pretend
to be. It can also be said that the true character and integrity of an
individual, or a professional, can be determined from how they behave
when they are down and out, or they feel that they have their backs against
the wall. Insecurity brings out the worst in some people. Just like alcohol
reveals who a person is, the same goes with insecurity.
I don’t want to assume the worst in others before I know the facts,
but I want to be in the position to minimize risks while retaining the
leverage to address issues as they happen. Today, with freebie social
media accounts, low cost, powerful technology, and digital cameras, just
about anyone can go out and claim to be a photographer or a model with
no investment into their career. It does not make them so, however, nor
does it make them a contender in the market or competition for real professionals
(and they find this out when professionals take work from them). There
is a lot of noise out there, and it takes some time and effort to find
good signals. So, is buying a lot of photography equipment an investment?
Not exactly, because I see a lot of self-proclaimed “photographers”
out there who have gone out and bought a lot of equipment, and they think
that having equipment entitles them to be a player in the industry, and
to have market share. Many of these so-called “photographers”
take short cuts, and while they DO have nice cameras and gear, they lack
the instincts, the skill, and often, the talent to be professional photographers.
This takes time, and it takes training (ding, ding, ding.... Workshops
taught by working professionals, and NOT overpriced, under qualified schools.
Workshops and professional instruction can help take the edge off of the
time needed to gain experience. I certainly wish that I had professional
instruction back when I was learning, as I would have advanced faster,
but, in retrospect, learning on my own made me a very strong photographer,
as well as an industry leader, so I have no regrets). Despite what they
say, they realize this, too, and this makes them insecure. The insecure
aspiring photographer is often untrustworthy, and experience is proving
this. Worse, still, is that, among these “photographers”,
you have ignorance, which makes what they do dangerous even if they have
good motives (I recently had a photographer suggest that I “educate
myself”, which is hilarious because he is a relatively new photographer
with a limited portfolio and mediocre work; he is also making a lot of
mistakes by making compromises, working with modeling schools, kissing
the butts of others who he perceives that he can use to benefit his “career”,
being dependent upon agencies, pitching himself on cheap photography services
at low cost which still isn’t worth his level of work, and other
ignorance. Hey, I’m not the one making those common mistakes. I’ve
been doing professional work in the Tampa Bay market for OVER 11 years
now, and when a photographer with several times my equipment cannot compete
with my work, I’m not concerned. I also wrote the book on the independent
talent movement, which includes models and photographers, and you do not
write the book on getting work without being dependent upon agencies by
not knowing how the industry, and about how agencies, work. I consider
the source when it comes to any opinion, and I’m hardly insulted.
I suggest that he quit kissing the butts of others, grow a backbone, and
educate himself, because both his words and actions demonstrate that he
has a lot to learn.). Many of these photographers jump into photography
without comprehending the power of it, and, subsequently, they do not
respect that power. I see many “photographers” who pick up
a camera and take pictures of women in provocative poses, and/ or modeling
with little clothing on. Although this is a legitimate photography and
modeling market, such high-risk work is not for amateurs, and if done
without professional judgement, it can end careers before they begin.
They think that sexy is mainstream modeling, when, in fact, it is high-risk
work which amateurs have no business doing because it can cripple that
marketability of all involved. Such photographers are like children with
a loaded gun, and noticing that many Tampa shootout and workshop events
mix such work with amateurs, I was inspired to do shootouts and workshops
of my own; to set a professional standard in the market (and, yes, I’m
also looking at a certain glamour photographer who used to do a lot of
shootout workshops in the Bay area several years ago, and who promoted
high-risk work as mainstream and. Your reign is over, and I’m going
to make sure that people know what they are doing if they choose to specialize
in high-risk work, as there needs to be an ethical, professional, safer
alternative to what has plagued the market over the years. I’m also
going after your market with the Allure shootouts and the Lace workshops,
and will make sure that all of the participants know of the risks involved,
and, if they choose to specialize in that kind of work, which they will
have to settle for, how to do it right without making their models look
trashy - Although I really don’t think that most of the people who
take exploitive pictures of women, until now, really care. Women need
to be respected and photographed in a dignified manner, and if you know
what you are doing, this CAN be done in sexy, high-risk work! The exploitation
needs to stop, and it is going to, because professional standards will
be introduced to the market! Also, most people need to choose, because
it is very difficult to work both mainstream and high-risk markets, although
I will show people how to pull this off if they want to try. If you have
too much “fun” taking pictures, you hurt people because your
fun is at their expense, and this is wrong!). Pictures are forever, literally,
and once a photograph is taken and it is out there, it can never be undone.
Taking all of this into account, I would estimate that over half of the
“photographers” and “models” in the Tampa Bay
market today are not worth dealing with. Over half.
That, folks, is the root of the problems that we’ve had with our
shootouts so far.
So, what would be an investment? I’d have to say a solid portfolio
showing professional-level work in a range of genres. I’d also have
to say having a real web site, a work history, and references from other
professionals. You are, after all, what you do.
I’m just wondering how these so-called photographers and models
think that they are going to have careers, and compete with really professionals,
when they are so unreliable. I will state that the amateurs out there,
and they are amateurs if they are unreliable, will have to get their acts
together when the shootouts and the workshops get underway and professional
models, photographers, and others band together, because that is the only
way that they can compete.
At any rate, adopting a siege mentality is ultimately self defeating,
and I’m not going to allow the threat, or the perceived threat,
of unreliable and untrustworthy people change me or what I do. I’m
just going to take the relevant, necessary precautions and let people
either define or hang themselves.
After all, one of the purposes of these shootouts is to help determine
who is worth working with, and so far, I would have to say that it has
succeeded brilliantly. I should not get annoyed when one of the purposes
that have been engineered into the shootouts are working as-designed.
So, I will say that all participants of the shootouts will be screened,
and some of them will be screened in the shootout events themselves. I
will say that in my dealings with photographers and models in the past
12 years that I have met quite a few highly talented professionals, and
most of them have become not only colleague, but my friends. What do most
of them have in common? Well, they actually work their careers. They have
web sites, portfolios, a work history, references, and they are all reliable.
This is why I was so surprised when I began to experience so-called photographers
and models who were unreliable and untrustworthy, as I was not used to
that experience, but it should not have been a surprise when these people
obviously had not invested in their careers.
The specifics of the screening process are classified, although I can
say that I am very much against discrimination, and they I will not be
discriminating against anyone. I can reveal that we will be looking at
the investments that aspiring participants have made in their careers.
I can also reveal that we will not be allowing anyone who is a competitor
of our shootouts and workshops to attend on principle, although I do have
the final say. Also, information shared and dispensed at our events will
be on a need to know basis, only. I also have specifically formatted these
events to be separate from my photography business, so there is no need
to share anything about my business, which includes rates, services, marketing
tactics, how my business works, or anything else (if you want to learn
any business tactics, which will never be my front-line tactics, you will
have to pay for that information at our workshops. It will be worth it.
Although the tactics that I am willing to demonstrate are good, and they
will give you an edge over your competition in the current market, for
me, most of those tactics are over five years old, and do not compare
with what I am working with now. What I am using now is classified, and
enables me to have leverage in the market. I do not give out current business
cards or any new material to competitors, nor do I give out any information
which may reveal what my market strategies and plans are; some might think
that I do this on my web sites, but I can assure you that it only seems
that way. I will not help anyone compete with me). The shootouts and the
workshops are separate from my photography business, and that is the way
that it is- it is one of the reasons that it took me six years to start
the shootout and workshop projects, as I had to figure out a way to do
it without it conflicting with my photography business or risk my market
position. Our Beacon Shootouts were set up as a buffer of sorts so that
I could staff my other shootouts with models and clients of my photography
business, and one of the main purposes of Beacon is to prepare those clients
to help keep my businesses separate, although, to be fair, my clients
do not have any business secrets to share, either, because information
in my business is on a need to know basis, too. For me, trust must be
earned, and the only people who know a lot about what I do are people
who have earned my trust, and who have a need to know. Currently, after
all of these years, and all of the model and photographer contacts that
I have, that would be three models and two photographers. I’m hoping
that, through working in the shootouts and workshops, that this number
will grow. It will grow.
I’m certainly not going to allow a few idiots to discourage my plans
for the shootouts and the workshops, and to make everyone pay for their
mistakes. If you are ethical and professional, and you have integrity,
you will benefit greatly from these events. I am looking for professionals
to work with, and we will all benefit from collaborating.
Alrighty. Some of the following is addressed more appropriately in the
Tampa Shootouts
News section today, but I will touch on it. I will also
share some secrets here which will NOT be revealed in our news section
because, well, it’s not official, yet. It’s coming all the
same, however!
We have added a new shootout event property today which joins Athena,
Beacon, and Allure, and that new shootout
event property is officially called the Aperture
Photography Shootouts. Right now, the exact purpose
of Aperture is classified, as it is way too early to reveal what it will
be used for, but I do have a really cool chart up right now, both here
and in our news section, which gives a few clues on what the Aperture
Photography Shootout events will be all about. Study that chart graphic
and spark both your imagination and curiosity. The chart reveals event
frequency, cost of participation, and the relationships between all of
the shootout and workshop events. The chart also reveals more subtle information.
There ARE clues there, but you will have to really study the chart, and
think, to figure it out. I don’t make these things easy, and I don’t
have to, now, do I?
Remember that, with the shootouts especially, that I negotiate from a
position of strength. It is a sellers market,
although no one should ever have to sell a free event which is a benefit
to the participants.
The story behind Aperture goes back a few weeks ago when I reformatted,
and expanded, both the Athena Shootouts and the Beacon Shootouts. The
Beacon enhancements are there to stay, but there were some conflicts with
the additions to Athena. So, I took those enhancements, worked on them
some more, and created an entirely new shootout event property around
them. No more conflict, and it serves a very important function in the
big scheme of things. Although Aperture will not be a frequent shootout
event (which was one of the conflicts with the monthly Athena events),
it will be critical for some things. The evolution of all of this continues.
I will reveal that Aperture, just like Athena, Beacon, and Allure, is
a free photography shootout event. That’s it for now. Just look
at the chart, and wonder.
Time for a secret, though, now that we are on the subject of free events,
and the costs of events. I keep the overhead low on the free events, as
it needs that way to keep it tenable and sustainable, as well as cost-effective.
Although it is a no-brainer that workshops where I have to pay subcontracted
professionals to teach are not free events (look at the chart. You will
see that the Lace Workshops cost more to attend than the more mainstream
Focus Workshops, and there are reasons for that, although I will say that
the Lace Workshops will cost less than the glamour shootout workshop events
that the glamour photographer offered years ago. You will also see that
the Lace Workshops will not happen as often as the Focus Workshops. I
have everything figured out, which includes, but is not limited to, things
which I have not revealed on these web sites. Consider that.), as I am
not going to pay anyone out of my pocket, any event which has high overhead
will cost money to attend. Workshops are workshops, though, and are geared
to aspiring professionals or for professionals who wish to learn new skills.
For established professionals who just want to shoot and work on their
portfolios, without any particular organized instruction, I’m working
on new event properties.
I have second-generation shootouts in the works (which will not be revealed
or launched before our existing events are up and running) which, although
they will NOT be free shootout events, will be more like photography shootouts
than workshops. They will not cost as much as a workshop, but they will
not be free events, either. The free shootout events will remain free,
and there are reasons for that (remember that I do not reveal all of the
details on web sites, that the details of these events are invisible to
most participants, that there are things in all of the events which are
classified, and that all of my event properties are designed to be highly
resistant to reverse-engineering and copying; discouraging attempts to
undermine or to compete against them. Those who try to copy and to rip
off my events will never be able to compete because they will not be able
to get them to work as well; at the most, they will come up with third-rate,
counterfeit knock-off events which are not nearly the value as the real
deal, and the source, is) even after the second-generation shootout events
are deployed, but those upcoming shootout events that are not free will
be an unbeatable value. Just remember that just because it is a shootout
does not mean that it has to be free. I all boils down to value, features,
benefits, overhead, and format. A second-generation high-risk modeling
photography event might target the same market as the free Allure shootout
event, but the purposes and the format are different. They will be engineered
to present few conflicts, and will not undermine the market and the purpose
of the others; my shootouts and workshops will not compete against each
other. The event which costs will have a higher concentration of professional
models, and other features worth paying for. Besides, Allure is targeted
for professionals, and it is invitation-only, as well as being used as
a working audition for the consideration of professionals for the Lace
Workshops and other paid subcontracted jobs for that market. That second-generation,
high-risk modeling shootout would be marketed, it would be more public,
would not be used to audition professionals for any jobs, and the models
would be there specifically to have pictures of them taken because they
would get paid to participate. This said, do not expect all shootout event
properties to be free events, although all of the events have their relevant
purposes, and both the free events and the events which costs have their
trade-offs. Even the free events are a great value!
Which brings us to when.
There will be shootouts in 2012. I’m not sure about the workshops,
yet, as all of the shootouts have to be up and running to enable to the
workshops, and that requires at least a three month lead-in period. We
will have a ton of Beacon shootouts, which are very exclusive events,
mostly for my models, but some will also have invited professional photographers
and others participating (the latter being the expanded part of the event
format, as I saw no reason to create another event property to evaluate
and prepare photographers and others to support the other shootouts).
I hope to have our first Athena shootout event in the Spring of 2012,
but remember that those Athena shootout are the backbone of our shootout
events, and once started, they have to run every month, which will require
resources and an investment of time.
Right now, this all works out great because my time is limited. The Beacon
shootouts will be done several times a month by default, and the shootouts
will be used to build support resources for the other shootouts and workshops.
Before I can commit to regular monthly Athena shootout events, though,
I have to work on more content for the four marketing and support sites
for Tampa Shootouts and Tampa Workshops, I have to relaunch Independent
Modeling, and then I have to build and launch 16 marketing and support
web sites for my photography and design business. That’s are least
four months of work, minimum, and will push us well into the Spring of
2012 (As I am writing this, however, I am quite cold, so Spring is sounding
better all of the time. I’m sure that may people would not appreciate
doing a shootout event on location in freezing weather).
I’m also going to be very busy running my photography business for
the next few months. Eventually, I will find a balance between the business
and this second business, but right now, I really need to concentrate
on my photography business, because it will support everything else which
is coming.
You will wait, because it is worth the wait, and I can wait. It’s
not like there is anything else in the market right now that can even
come close to the shootouts and the workshops that we’ve put together,
although, to be fair, we have published an excess of information on the
sites to set standards in the market and to show the competition how it
is really done. We WANT them to do better, so that it will help the overall
condition of the market. So far, this has worked out great, because we
have sat back and watched ALL of our competition react to what we have
out there now. They have abandoned their old business plans, and have
changed to try to match what we have revealed so far. This has been especially
great for several reasons. First, models can thank us for getting paid
at workshop events because just the threat of competition from us has
forced the others to start paying the models. This is good for models,
but it has also substantially increased the overhead of our competition,
and for those who are less business inclined, it is making it really tough
to operate (I’m sure that a few of them are now losing money, and
are cursing me out with every event that they have to pay to do). We are
costing them money, and we have not even technically begun yet! We have
already set the standard in the market!
This said, our shootouts and workshops will eventually have to begin,
but right now we have time to work on our formats and to also work on
these marketing and support web sites. At the moment, there is some rather
unfriendly content on both Tampa Shootouts and Tampa Workshops (mainly
Tampa Shootouts), and this is intentional. I will keep my complaints up
for now, because people need to know where we stand. Before the public
shootouts begin in a few months, however, we will be overhauling the content
on the sites to be more marketable. At that time, my more personal remarks,
such as me insulting people, and some of the blog posts, will be removed.
Until then, please enjoy! I do!
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Friday, December 30,
2011 - Tampa Shootouts Blog Post by C. A. Passinault
Last
post - for 2011. Athena Shootouts delayed to at least Spring 2012. Security
issues to be resolved.
This
is my last blog post on the Tampa Shootouts site...... until next year.
2011 has just over a day left, and then I’m working hard in the
busy Q1 modeling portfolio photography market in the Tampa Bay area, which
will leave me no time for public shootout events which do not pay anything.
I have to book shoots.
I did a survey on the Internet today, and discovered a growing number
of new-generation photographers (photographers which became active in
2007, 2008, 2009, and 2010... anyone newer is rarely competition) in the
market who not only do good work, but they have some well thought-out
marketing web sites which not only use some of the obvious tactics on
my web sites, up to including the color scheme, but the photographers
are gunning for my market. The latter has me concerned, although most
of these guys are making mistakes which will take them some time to figure
out and resolve. Still, I cannot rest on my laurels, and fortunately,
I do not have to. I’ve been a working professional photographer
who specializes in modeling portfolios and talent headshots in the Tampa
Bay market for over 11 years now, and, really, I’ve only just begun;
my work so far is only the warm-up.
I had a meeting with one of my model friends back in November, and we
discussed the past decade in the market, as well as the future. I told
her that things were going to get really intense, because some of the
things that I am about to introduce to the market will not only alter
the balance, but it will revolutionize it. Some old competitors will realize
that I am booking a lot of work in modeling and talent photography, booking
work with models especially, and they will know that I’ve figured
out how to work the market in ways that they have never dreamed of, and
it will inspire them to jump back into it. I will demonstrated to them
that there is a viable modeling photography market, still, despite all
of the people running around with digital cameras shooting for free, or
for cheap (hey, water out of the tap is free, too, although companies
still make a lot of money, legitimately, selling bottled water. Consider
that!) I told my model that the future of the Tampa Bay photography market
would see an arms race of sorts with web sites and photography and design
services, a new cold war which I will be leading. I do not care about
how good of a photographer that they are, especially when their work is
not as cost-effective to do, and their quality benchmarks are hard to
sustain at competitive rates, but they are not me. I’m much, much
more than just a photographer. This is why models and talent come to me.
I do expect most of the competition to follow my lead, and some will try
to outright copy me. Great. People still seek out the source, and pass
up the knock-offs. Remember that. I’m certainly not going to be
reacting to what my competition is doing, especially when I do not have
to. They will be reacting to me, and to what I do in the market. I’ve
been seeing this for the past four years, and I expect to see it even
more once I get my latest plans into high gear, and those plans have nothing
to do with shootouts and workshops.
Of course, with recent security issues raised with the Tampa Shootouts
free public photography shootout and networking events, such as Athena,
it is going to be a while before that can happen, as I need security issues
resolved. It’s much like the United States (which would be me) and
Russia (the best of my competition) during the cold war. Don’t you
think that it would be kind of tough for adversaries to do joint operations
when they are in brutal, heated competition? This is one of the reasons
that I created the Beacon shootouts, and why there are so many warnings
with Athena where no one is allowed to ask questions about how I do business.
Those precautions, though, are not enough. I can speak for myself, and
I can say that my intentions are honest (and, really, even if I did have
something to learn from other photographers about business and marketing,
and, to date, looking around constantly and thoroughly, I have not seen
a single photographer in the Tampa Bay market who has me beat in this
area, and even if they DID do marketing or business better, I certainly
would not try to learn from them dishonestly). I can’t say that
for other photographers, however, and I really do not know who to trust
at this point. Over half of all photographers that I have dealt with in
this market have been proven to be untrustworthy, in my experience, and
this really paints a sad picture for the professional integrity of the
Tampa Bay market. Currently, there are a little over ten photographers
whom I trust, and the rest are big question marks.
Sure, I am all of for collaborative competition, but it only works well,
and all parties benefit, only when all of the parties are professional
and ethical. I only want to deal with other professionals, and they are
proving to be tricky to find. It seems that when people are starving and
are insecure, their true nature emerges. Show me how you are when you
are down and out, and that’s the person that you really are, and
that is your true character.
So, until the security issues can be resolved, the public shootout events,
which means Athena, are on hold, and with those, the workshops as well.
I estimate that it will be at least spring, 2012, before we can kick off
the public Athena shootouts, and late summer to fall before we can begin
the workshops. It’s sad that it has come to this.
It’s not me, though, it’s them, and I have evidence that cannot
be disputed. I’m not going to ignore the facts and be taken for
a fool.
One of the reasons that I don’t feel that I can trust many of these
photographers is that I keep finding out things which do not make me comfortable.
I started seeing some of this in 2008, and have made effective adjustments,
but now, I’m seeing it a lot more. I’m seeing photographers
studying my web sites and launching sites that aggressively go after my
market. I’m even seeing them copy my gray/ blue/ white color scheme
(and no, I am NOT changing that just because photographers like my colors
and copy them. I was here first, and because I AM a professional who knows
what I am doing, I did not copy anyone or steal from them! Besides, with
over 16 marketing and support sites, mine will be the first that others
see, anyway!). This cold war in the market that I predicted when I talked
to my model is just beginning, and it is going to be messy. I’m
winning, and I will continue to win while I increase my lead. Even more
disturbing, though, are photographers stealing content from my resource
sites and plagiarizing it (my attorney is dealing with one such photographer
just south of Tampa Bay right now, who we were aware of two years ago).
Come on, guys, you are more than welcome to compete with me, but don’t
cheat by taking my work. That’s both pathetic and disappointing.
I deserve more of a challenge, too! Other issues that have come up (even
after models warn me about certain photographers, which prompt me to take
precautions when dealing with them), are photographers being two-faced
and backstabbing. And models only thought that it happened to them.
This jealousy of what I am doing is pathetic, and only hurts them. An
insecure photographer is useless as a professional. I especially like
the photographer who caused this latest delay with Athena who tried to
sell me out, passing off information, canned information that was engineered
to test him, as fact, to another party, and proving that he could not
be trusted. He made this statement that photographers need to get together
as a group and stand up for their rights. Really? Are you the leader who
is going to do that? You’ve already demonstrated that you are a
spineless, unethical photographer who doesn’t stand for anything
and kisses up to all of the wrong people. Hypocrites like you are exactly
what is wrong with this market, and you are hardly any kind of leader.
What a schmuck!
So, that is it. Happy New Year! I will not trust anyone until they earn
my trust, and that takes time. So, there will be shootouts, but not public
ones until at least this spring. That’s about four months from now.
Most of my time will be spent doing modeling photography shoots with hundreds
of models, working my main business. I will do a number of private Beacon
shootouts with models and photographers, too, and we will build a core
team for the public shootouts that way. Once the team is in place, as
well as some secret security measures, we will proceed with the monthly
Athena shootouts and then the workshops (I WILL blacklist anyone caught
attending any shootout for the wrong reason, so be warned!). This is important,
and I am not letting morons ruin it for the rest of us. I’m also
not going to help people try to compete against me. For now, the public
can watch. Later, if you are professional and ethical, we will allow you
to participate and to get involved.
I am trustworthy, and professional, and I will prove that through my actions,
and over time. This is all about managing risk, and achieving a balance
between two different things which cannot be allowed to directly mix:
My photography business, and the shootouts/ workshops. Anyone trying to
use the shootouts and the workshops to learn the business from me in an
attempt to hurt my business is going to find that not only will it be
a waste of time, but that I will find out their true motives, and when
I find out, you are done. At the very least, I will never work with you,
and this will be far more harmful to you than anything that using my shootouts
in unethical ways can do to me, because I WILL be helping other ethical,
professional photographers; it will be pathetic, unethical, untrustworthy
you against ALL of us! You are either in or out, and you will make that
choice.
Well, at least the weak market is helping to identify the unethical among
us, and that is a plus. It makes my job weeding out bad photographers
easier, and it will make our shootouts and workshops that much better,
in the long run.
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Wednesday, December
28, 2011 - Tampa Shootouts Blog Post by C. A. Passinault
Complaint
Mail. Private Photography Shootout Events. Shootouts That You Will Want
To Get Involved With.
We
received this wonderful email on December 5, 2011, but I did not see it,
and read it, until yesterday (12/27/11). It is from a photographer named
"Richard".
Geeeez
Wow,
what a verbose website! Honestly, it reads like some super control freak
wrote it - can't do this, can't do that, banned for life! You've had one
event and nobody showed. No shit Sherlock. It doesn't sound like fun at
all.
I'm surprised anyone contacts you at all. I had to go through lengthy
webpages just to find a way of contacting you. Fundamental web design
would be to ensure your contact info is on every page. Most of your visitors,
even if they're interested, probably regard their visit to you site as
a waste of their time.
I'm a professional photographer, that's what I thought. I would never
participate in a shootout (the shootout format is a cluster anyhow) organized
by somebody with a 15-page list of things I can't do. Oh, just a suggestion,
but since you're trying to promote a photographic event, your visits would
probably be interested if you had pictures, a.k.a., samples, instead of
pages of text. Offer the event, put all your rules and legal crap on a
separate page somewhere.
I responded
to “Richard” and wrote to him that he did make some good points,
and I thanked him for his feedback (I did, however, think that it was
amusing that the photographer actually knew how many pages of information
were in the original Athena event page at the time that he wrote, however,
as he obviously printed it out and read it. At least he read it, however,
which is a good thing, even if he was ultimately put off by the amount
of information and the rules! I just added another half of a page of content
to it, too. He did make a good suggestion, however, and eventually, most
of those rules will be migrated to another part of the site; this was
already in the works, because I do not want to write 15 pages of content
for every shootout event that I put together, or be overly-redundant.
Besides, the event agreement which everyone has to sign already covers
all of the details, as well as the terms and the conditions, although
I do not want to surprise anyone who shows up with different expectations,
and then has an issue signing the agreement, because it would be an unpleasant
experience when they were not allowed to participate, and had to leave.
Everything is a balancing act.). I am assuming that "Richard",
as a professional photographer, wants to participate with a shootout event
where anything goes, or where the interests of the organizers are primarily
served at the expense of the participants, much like the shootout events
organized by amateurs and unethical people which have plagued the Tampa
Bay market in the past decade? By all means, enjoy those! See where they
get you!
With that said, let’s get some things straight here.
This is not a buyers market with these shootouts. I am not jumping through
hoops to sell a free modeling photography and networking event, either,
especially when it is a SELLERS market. Although Tampa Shootouts will
be our primary marketing and support site for the shootouts and the workshops,
and it would be a buyers market for the workshops, these shootout events
are a different story altogether.
I do NOT make any money by doing these shootout events, and although that
is not true for the workshops, please do not confuse them. Shootouts are
NOT my primary business, and, for that matter, neither are the workshops.
I am a professional photographer and an event planner who is doing this
primarily as a labor of love, and because I love photography and I love
to meet and network with other professionals. I have no hidden agenda
which is against the best interests of any participants, and this is something
that the market really needs, especially with all of the amateur and career-inappropriate
shootout and workshop events out there. Although the shootouts ARE also
used as a working audition for professionals who want to book subcontracted
jobs, having fun doing photography, working with other professionals,
and networking are the main goals.
These shootouts are the modeling photography and networking events that
lots of people have been wanting for many years, and now they are here.
There was a NEED for these shootouts in the Tampa Bay market, and that
is the main reason that we started all of this and established Tampa Shootouts
and Tampa Workshops! Despite the long-winded copy on the site (and this
will be refined over time, as well as seeing the addition of those pictures
that you want to see), these events are the best organized, and the most
professional photography and networking events ever done in the Tampa
Bay area, designed to not only best the impressive “Tampa Shootout”
glamour photography event workshops from a few years back, but even the
Supershoots events which have been popular over the years. We want something
better, and so do many others, even if they do not realize it, yet. We
not only set the standard for this market, but I’m proud to have
a hand in making these shootouts and workshops among the best in the United
States!
If anyone, and I mean ANYONE, feels that they do not need this, that they
do not wish to contact us and get involved, that they want to waste our
time by confirming that they are attending, and then not show up, OR they
want to try to take advantage of this and do something shady, it is THEIR
LOSS. It’s certainly not mine, or anyone else’s who is involved
with the shootouts. Again, if you don’t want to participate, it
is YOUR LOSS.
One thing that really got me angry when I attempted to launch the Athena
modeling photography and networking event series debut event back on September
25 was that the flaky behavior that I’ve heard others complain about
over the years finally happened to me, and there was no need for it to
happen. I’ve done a lot of shootout events over the years, with
none of the issues that I’ve experienced during that first attempt,
and ironically, now that I’ve put together the most advanced shootout
events that the Tampa Bay market has ever seen, with lots of details addressed
and a really comprehensive, effective format, NOW I have these problems.
I will admit that one problem that I had was that I did not feel comfortable
referring my model clients and contacts to these shootout events without
preparing them, and I did not refer them that first time, but it was not
really a mistake, and the reason that I created our exclusive Beacon Shootouts
is for that very reason, so that I could effectively prepare my models
for the more public shootouts and staff the public shootout events so
that we could proceed regardless of how many showed up. That is neither
here nor there, however, because Beacon did not exist for that September
25 attempt at Athena, and I literally only had two models scheduled to
help out. One of them had an emergency and cancelled in an appropriate
manner the night before, and I did a shoot later that day with the other.
We still had fun, and although our shootout wasn’t at a large enough
scale to make it an “official” Athena shootout event, especially
the event specified, we did get a lot of work done that day. It was worth
it.
I spent a LOT of time setting up that event, and I had everything ready.
I did everything that I said that I would do, and showed up on schedule.
I did everything the way that it should have been done.
Frankly, it is not my problem if no one showed up. It is their problem.
It’s not my deal if people are irresponsible idiots. I’m responsible,
and professional, and that’s good enough for me. Actually, too,
I am kind of happy that this experience is helping me weed out the flakes,
because I, and others, certainly do not want to waste our time with them.
It’s good to know the character and the ethics of those who we deal
with.
I had spent time and a lot of work setting up the event. When no one showed
up, I cancelled it, went home, and did some productive work. I also kept
track of who confirmed and pulled a no-call, no-show. Professionals follow
through on their commitments. I followed through. If these so-called professionals
flake out like they did out of irresponsibility, or because they failed
to see that the shootout events are worth attending, then I certainly
do not have to worry about any of them competing with me. The rendered
themselves insignificant, and ineffective.
So, official event or not, I did what I set out to do. I do not consider
it to be a failure, and merely postponed it until I had a core support
team to enable it to happen regardless of who showed up. Also, one of
the purposes of the shootout events are to help us determine who is professional
and who is not, and to help us figure out who is worth working with; in
that respect, the first event attempt did its job very well, so it most
certainly was NOT a failure! At this point, I really do not care who I
insult or offend with me telling it how it is. You owe it to yourself
not to underestimate me, the people who work with me, and our resolve.
Obviously, we have put a lot of time and effort into this so far, and
are going to be working hard to get all of this where it needs to be.
We negotiate from a position of strength, and that is how it should be,
as we have all of the angles covered, as well as dominant leverage. Put
your personal issues aside, and allow yourself to see the big picture,
to see all of those angles, and that this market is ours. There will come
a time when people will be begging to attend our shootout events, regardless,
and I am going to tell you how, now.
There are going to be shootout events regardless of how anyone feels,
or what they do. We will not allow the mistakes of others to define us,
or determine the success of our events. These events are really state
of the art, and effective, and this will be demonstrated over and over
again. Over time, the shootouts will build buzz, and more and more people
will realize that it is in their best interest, professionally, to get
involved. With successful shootouts, we will then have successful workshops,
but not before. The shootouts will pave the way to the workshops, as well
as enable and support them in several ways (although this is not only
beyond the scope of this post, but most of those details are classified,
too, and nothing that any shootout participant or aspiring participant
needs to know, at all. Remember that there are a lot of details that participants
do not have to know about, as they are designed to be invisible to them,
especially as such measures in event organization make our events very
hard to reverse-engineer, copy, or compete against, and unethical competitors
will discover this after expending, and wasting, a lot of time. I have
had so-called “professionals”, such as photographers, steal
from me - or try to steal from me - many times over the past ten years,
although most of them could not comprehend the underlying mechanics of
my concepts and what made them work, and could not make them work well;
as a result, my events, such as these shootout and workshops, have been
engineered from the start to be highly resistant to reverse-engineering
and conceptual theft. I’m adding additional security measures, too,
to make sure that the events will be as safe and as productive as possible.
Liability and risk will be reduced).
In the next few months, I will be doing a lot of work as a photographer
with my photography company, and most of that work will be with models.
I am, literally, building an army of independent models to take the market
with (the talent agencies will find this out the hard way). While I book
all of this photography work, and work with an increasing number of models,
we will be doing a lot of private, exclusive Beacon Shootout events. Some
of these Beacon modeling photography shootout events will also feature
invited photographers (I currently have a list of at least ten professional
photographers who I am certain can be relied upon, because they are real
professionals). Working in our private shootouts, we will build a core
team that will be utilized for the public shootouts and the workshops.
As we accomplish our Beacon Shootouts, I will be sure to cover them just
like I would cover our public shootout events. People will watch the videos,
look at the experience and the references of those who are involved, and
will follow our coverage. They WILL get VERY interested. Why? Because
the work will be exceptional, as well as fun. Because they will see that
some of the best models and photographers in the industry are coming together
to work in some really cool events. Our events will also be interesting,
as well as career-enhancing. There will come a time when we will have
no problem getting people to attend because they will know, beyond a shadow
of a doubt, that it is not only in their best interest to attend, but
it will be the best thing for their career going on in the Tampa Bay market.
When we have the buzz going on, and the core staff, as well as some security
measures addressed, then, and only then, will we roll out the public shootout
events, and three or more months after that, we will proceed with the
workshop events. Not before.
Oh, and those who gave us a hard time, and/or backstabbed us or did anything
else unethical? They can certainly forget it, and they will be kicking
themselves because they will know that they sold themselves not only short,
but out. They can simply watch us, from the outside looking in, with the
knowledge that they have been banned for life, and that they deserve it.
I can also assure you that I have quite the growing list of photographers
and models who have earned that ban, too. They did it to themselves.
I can see some of them trying to start up their own shootout and workshop
events, and I do welcome the competition, but really, will they be able
to compete? At the most, they will only be able to pull off a third-rate
counterfeit knock-off of what we are doing, because they are not us, AND
if they are in the position of being banned from our events to begin with,
they obviously don’t have what it takes to compete with real professionals.
It can also be argued that, at this moment, without having a single Tampa
Shootouts or Tampa Workshops event, that we have ALREADY SET THE STANDARD
for shootout and workshop events in the Tampa Bay market! How can we claim
this? It is really quite obvious, especially when we see what others do,
and we have seen more than one shootout and workshop organizer throw out
their original play book and try to adapt to the new conditions that we
have introduced to the market just by the content on the Tampa Shootouts
and the Tampa Workshops web sites. They have studied our web sites, and
they have either tried to redo everything so that they can compete, or
are outright trying to copy what we are doing. Their actions are very
revealing, and what they do is their admission that we have not only redefined
the standard for what these events are, but that we are market leaders,
and we have done this without having to do a single event! If this strong
reaction has already occurred, can you imagine what is going to happen
once we get these events up and running? Follow the leader, people!
Do you really want to deal with someone who has to copy us, or would you
rather go to the source, which is us, and really benefit from it? We don’t
have to copy anyone, because we know what we are doing.
Just the threat of competition from us has made our competition change
their business, and has helped the market! Now, models can thank us for
finally being paid fair rates at Tampa modeling photography workshops,
as they were getting ripped off by unethical organizers who were convincing
them to work for free while they made money from the events. Models are
now getting paid because of us, and because of the standard that we have
set in the market! Competition does trump monopolies and unethical businesses
which get away with ripping off people because they are the only game
in town, just like an open market trumps a closed market, every time!
At any rate, with the public shootouts and the workshops now on hold,
I had to modify the format of the Beacon shootout events to support private
shootouts, and expand the scope of the original format, which makes sense.
So, we will have our private shootouts, our Beacon shootout events, and
those events will not only be covered, but they will also be used to develop
marketing and support infrastructure for our public shootout events, and
the professional modeling and photography workshops that will follow the
public shootout events.
I had wanted to try to do all of this with our mainstream, backbone shootout
event series, the Athena Modeling Photography and Networking Event Series,
but Athena was not right for it. The Athena Modeling Photography and Networking
Event Series is a public, monthly shootout events series, and it is the
backbone shootout event series for Tampa Shootouts. Once started, we would
have to have one every month, and it would have to be marketed to the
public.
It is obvious that we are not yet ready to kick off our Athena shootouts,
but Beacon is perfect for now. We will have private Beacons shootouts
simply as long as we feel is necessary, and the general public will have
to be content to sit back and wait with growing anticipation. We will
launch the Athena shootouts at a time that we feel is right, and it is
our decision.
Hey, we could have been up to our fifth Athena shootout event right now,
and the public could have enjoyed them, but some idiots (with the no-call,
no-shows of the first event, and security breaches from unethical people
cancelling the second attempt) have demonstrated that the market is not
yet ready for such a cool event series. The market needs to be conditioned,
first, and we will take as much time as we feel that we need, and the
public can thank these people for bringing it on everyone. It is also
going to take a lot of work and time to address some security issues,
and have the proper security measures in place to support the public shootout
and workshop events. We have time, and we don’t need this to define
our careers, as we already have successful careers. You need this, and
good luck finding anyone else who can do this like we can. You are all
going to have to wait, and will have to settle for watching our core team
work, have fun, and grow long before you can get involved. Consider that.
With the free shootout and networking events, it is a SELLERS market,
although we are not really selling something that is already the best
value because it is effective while being free. It pretty much sells itself.
Our free modeling photography shootout events are superior to most competing
photography shootout and workshop events were photographers have to pay
to take pictures of models, especially since we have a higher ratio of
professional models, and we allow the participants to network with each
other. Regarding the workshops, too, although that is a BUYERS market,
the target audience is different, as those workshops are primarily marketed
to new photographers and talent, WHILE they give subcontracted jobs to
professionals, so our tough stance on our shootouts has no effect on our
workshops. Something else to consider. If you are a professional who is
looking for work, the last thing that you want to do is to give a source
of work a hard time. Consider that, too, as we are not in the position
where we have to jump through any hoops to “convince” anyone
to work with us. They will come to that realization themselves, in time,
if they know anything about working their career.
There will be some models out there who will not be allowed to work in
our workshop events, and they will lose out on a paid job. This goes for
those who are banned from our shootout events, as well as those who choose
not to participate with our shootout events, as you are REQUIRED to participate
with one of our photography shootout and networking events in order to
be considered for any subcontracted workshop job. If you pass on the shootouts,
or give us a hard time (and this goes for both models AND photographers),
you will not be considered for any of those paid jobs. It’s that
simple!
The law of human nature, and the cure for the flakes out there: People
will do what they consider to be in their best interest, especially if
they are the smart professionals that are worth getting involved with.
Remember that.
Oh, and in closing, remember that all of these rules exist for a reason.
Any organized event has rules and a code of conduct, and we ALL have to
work under those rules. Those rules apply to MYSELF, as well, and I gladly
agree to all of them! Many of these rules exist to minimize the risks
of the events and of networking with others. I certainly do not want some
idiot showing up (such as an unethical competitor) to stub their toe and
file a frivolous lawsuit, or to do something else which is not in our
best interest, or to undermine the events, and you do not want this, either.
What, do you think that everyone is honest and is professional? Think
again! Those rules are there to DISCOURAGE unethical and unprofessional
people from even attempting to participate, as they plainly indicate that
we mean business, and that we are to be respected! Would you rather that
we do some poorly organized event which never gets anything accomplished,
and where anything goes to the point where others can disrespect you and
violate your rights? I didn’t think so. Besides, aren’t we
all sick and tired of such events littering the market? The 15 pages or
so of rules stand. Deal with it! Also, all of those “rules”,
and most of the content on this site, were not even published, or known
of, when that first event was attempted, so that was not the reason that
no one showed up. The reason that no one showed up, in my opinion, and
this is regarding the no-call, no-shows, and not the people who legitimately
called off, is because they were irresponsible, unprofessional idiots.
Those rules, and most of the content on this site, were added in the wake
of that event attempt!
Are the rules that much of a problem, or an inconvenience? Should they
discourage genuine professionals from participating? No! Not at all. As
long as all of the participants are professional, they respect the rights
of others, and they are honest about their intentions, they should not
have any issues with the rules, and the events will not only be productive
and well worth participating with, but fun, as well. Those participants
will also find that I am pleasant, likeable, and professional, too, despite
any mis perceptions that they may have had. They will also find that I
know what I am doing, and that these rules and precautions are needed
because of what has been learned, over the years, from experience working
in the Tampa Bay market. It is currently not a nice place for professional
photographers and models, but it can be if we pull together, and that
is one of the goals of these photography shootout and workshop events!
Also, regarding the web site, well, web sites are never done, and in our
experience, you cannot please everyone. Some changes will be made over
time. Other details will stay the same; if you look at my other web sites,
you will see that many of them DO have contact information on every page.
This site is designed the way that it is for specific reasons, and a lot
of thought, planning, and hard work has gone into it; observe that we
will not be updating the site any time soon to contain contact information
on every page, and that there is a reason for this design choice that
we do not have to necessarily clarify. This was done on purpose. While
we remain open to suggestions and feedback, in the end, it is our decision.
Also, we must be doing something right, because you did figure out how
to contact us, and the site inspired you to give us feedback. Also, you
found the site on your own through a search engine, and then took the
time to read it. We’d have to say that it is doing its job, especially
considering that the shootout events are a sellers market, and not a buyers
market; the latter which is what you have implied with the concept that
we need you, and that we have to convince you to participate with a free
event which obviously will benefit you far more than it would benefit
us. If you are going to give us an attitude that we have to convince you
to participate, then we don’t need you, and you can go elsewhere
and TRY to find something comparable, better, or a better value than what
we have to offer. Good luck finding it, too, as it does not exist, and
we know because we monitor the market and are aware of what is going on.
Consider that.
In closing, despite my bullish position on all of this, please realize
that this is not necessarily aimed at you, or our other readers, but it
is a result of experience, and that I am not an unfriendly person. I am
actually a very laid back, pleasant photographer. I get along with most
people who I know quite well. Most models love working with me. Some of
my best friends are models and photographers, and most of those are professionals
whom I have worked with, and associated with, for YEARS. I have earned
their trust and respect. Allow me to earn yours. These events, too, are
designed to be pleasant experiences, fulfilling, fun, AND professional.
These shootouts are designed to HELP professionals, and we are here for
you! Don’t sell yourself short, and give this a chance. You will
thank yourself later.
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Monday, December 12,
2011 - Tampa Shootouts Blog Post by C. A. Passinault
Security
And Support Issues. Beacon And Athena Shootout Formats Expanded For Enhanced
Capabilities. Marketing Development For Event Preparation And Support.
One
of the reasons for doing these Tampa Shootouts photography events, for
me, was as a public relations move, although there are a lot of good business
reasons, too, which make these events, even the free ones, not only cost-effective,
but well worth doing.
Regarding public relations, it will well-known what I own a lot of web
sites, and that there are opinions expressed on those web sites which
are not popular with some people (especially ignorant, insecure, jealous
people, in my opinion. Some people are narrow-minded and bigoted, too,
also in my opinion, and they use this slander as a form of discrimination
in an attempt to discredit me in the eyes of others). As a result, many
of the people form bad opinions of me. Some of them even resort to slandering
me and spreading rumors, which is an unethical form of character assassination,
and it is highly unprofessional.
In the past, I’ve been really good at debating and fighting back
against these people on the Internet. I’m even better, now, although
I choose now to not fight because I don’t have to fight. I certainly
don’t want to fight that way. While I will still debate with other
professionals, when needed, I no longer have any desire to fight with
people online, as it is a waste of time and has no point. Fighting on
the Internet is not cost-effective, and only makes things worse. Additionally,
I have little time to do this, anymore.
So, if people want to criticize me, let them do so, as they have a right
to express their opinions, and those opinions reflect upon them and their
professional credibility. If they slander me, though, I need to point
out that I reserve the right to take legal action against them. Although
only annoying in most instances, if that slander/ libel costs me money,
or time, I will address it. As a policy, however, if people bad-mouth
me, I won’t even dignify it with a response (anyone posting in my
defense will not be me, as I would not only not bother to respond, but
I would not defend myself under any false name; if you think that it is
me, then you are wrong, and this can be proven. I also will not put anyone
up to doing this, especially when I don’t want to give you any feedback
of any kind to encourage you. I can’t control others if they feel
inspired to defend me, however).
If you want to criticize me, knock yourself out, and if you think that
if you have more readers and a louder voice than I do online, continue
to believe that. I know the truth. Also know that it is not cost-effective
for anyone to compete with me in this way, especially with me owning over
50 web sites online, with thousands of pages of content uploaded over
a ten year period, at the time of this writing. You can try, but it won’t
be worth it). The reason that I will not respond is that I will not be
goaded, or manipulated, into fighting anyone. They have no power over
me. I am in control of the situation, and I do not allow people to insult
me because I have to give them permission to insult me. I simply do not
accept it, and this renders their pathetic attempts powerless.
At the very least, I do hope that those who have bad opinions about me
actually do their research, and read what is out there. They will discover
that, even if their position disagreeing with my opinions does not change,
that I am not a bad person, and that I not only do what I feel is right,
but that I do everything in my power to do the right thing. They will
also find out that my opinions are not born of ignorance, but rather from
education and experience.
Also, there are photographers out there whom tried to get buddy-buddy
with me, asking me tons of questions, to size me up as a competitor so
that they can compete with me (I even had one photographer pretend to
be a model and go so far as to book services from me). While I frown on
the false pretense, such questions, because of things that have happened
in the past, inspire me to give the photographer inaccurate information.
After all, they are asking inappropriate questions (If I trust them, and
they need to know, I will tell them that information), and I will give
them inaccurate information just to see what they do with it, as a test.
Well, this recently happened (and it was one of the main reasons that
I postponed the shootouts and
workshops), and a photographer bad-mouthed me to someone who published
this information as fact. Upon seeing this, I was wondering how they obtained
such incorrect, screwed-up information, and then I recalled what I had
told the photographer during a conversation. This information, accurate
to the numbers that I had told him (well, some of them. The rates were
way off....), which exposed the source and demonstrated that, as a model
had warned me months earlier, that he could not be trusted, was used as
criticism that I overcharge people. I do not do this, and I know what
appropriate rates are for this market. I tend to treat information about
rates as need-to-know information, and I only give those rates to photographers
if they have earned my trust, and if they have a need to know. The only
photographers who need to know are photographers who work with me in my
photography business, which was never this photographer. I do not normally
have rates on my web sites because I do not use my web sites as stores,
and I do not sell services that way (in the future, there may be a few
exceptions, but that is all that they will be, and there will be good
reasons). Also, this photographer seems to think that he knows the volume
of business that I do. He does not. I do not share that information with
anyone, as it is confidential information only used by my business.
Because this photographer betrayed my trust by sharing test information
that he thought was correct (please do not say that it was wrong for me
to lie to someone, as he needed to be tested, and I did not use this information
to sell him anything or to coerce him; I’m sure that the information
that he gave me was false, too), he burned himself. He proved that he
could not be trusted. In our conversations, he told me information that
he told me to keep confidential, and I did that. Despite what happened,
I will continue to avoid sharing that information. I also will not bad-mouth
him or do anything to him. This photographer has been banned from participating
with any of my events, as well as working with me or my projects in any
capacity. Although I have forgiven him for being manipulated and used
by someone who did not have my best intentions in mind, I have no desire
to talk to him, or deal with him, ever again. He didn’t play anyone
but himself.
Which brings us to Tampa Shootouts and Tampa Workshops.
The photographer who “leaked” the information was involved
with the shootouts, and he is no longer welcome (To
clarify who this photographer is, because lately I have been dealing with
a lot of photographers, most of whom are really good, and I do not want
them to think that I am referring to them, the photographer who I am referring
to here spent a lot of time trying to talk to me and talking to me. He
would constantly call me, text me, and I even had to disable my messaging
on Facebook because he’d waste my time with long conversations via
chat every time that I was online. I suppose that he thought that I was
his mentor. This photographer is NOT Robert, who is an awesome commercial
photographer). I also recently posted an event page
on a social media site for the upcoming Athena shootout, and the R.S.V.P.
response was anemic, at best. As you know, I attempted the first Athena
shootout event back on September 25, 2011. A client friend and I were
the only ones to show up (although I did do a shoot later that day, and
my models were reliable), and I had three or four cancellations at the
last minute. The others were no-calls, no-shows. This lackluster response
to a really good, and really well-organized event prompted the creation
of the Beacon shootouts, which originally was only to be used to bridge
my models clients to the Athena shootout events, so that I would have
not only assistance, but a built-in team which could proceed with any
Athena shootout event regardless of how many outside people showed up.
Regarding bridging my models to the Athena shootouts and other events,
well, you just can’t dump them into a public event, an event with
security risks, without preparing them for it.
The shootouts are a good thing. They make a lot of sense. We will eventually
get these events on track. Also, they will work well as a public relations
project, especially since once people meet me and get to know me, they
will realize that the people who bad-mouth me are lying. This will destroy
the credibility of those people.
Although the debut of the Athena shootouts, which will have one of those
events every month thereafter, has been delayed, we will have shootout
events before then. These shootout events, the Beacon shootouts, will
be small, private shootout events which will only be revealed after they
have happened. Also, marketing material developed from these events will
be used for Athena shootouts and the marketing of our shootouts and workshops.
Originally, the Beacon shootouts were only supposed to be for my models,
but some of them will be used to evaluate and work with others, kind of
like a more exclusive, private version of Athena. This is an expansion
of the original format, although most of the Beacon shootouts will be
used for my models. Beacon, after all, is designed to develop support
resources for other events, as well as to build buzz and attract outsiders
to our events. The Athena shootouts, likewise, will have new features
built into them, and an expanded purpose. Some of these new features will
not be revealed on this web site, or any other web site, and a few of
them will only be revealed to the participants.
So, while we will limit ourselves, for now, to a series of Beacon photography
shootout events, work on marketing, and the web sites, will continue.
Tampa Shootouts will take point, and become the main marketing and support
web site for the shootouts and the workshops. Tampa Workshops, which I
admit that I’ve neglected a little up to this point, will be used
as a marketing and support platform for not only the photography and modeling
workshops, but other workshops, too. For the modeling and photography
workshops, though, Tampa Shootouts will be the lead site. Two other sites,
Tampa Photography Events and Tampa Modeling Events, will be used to support
both Tampa Shootouts and Tampa Workshops online. These sites will have
content uploaded, and updated, and they will be where they need to be
online when the main Athena shootouts begin. The third time for Athena
will be the charm. There is no date yet set for Athena.
Although content will be uploaded to Tampa Photography Events and Tampa
Modeling Events, the sites will not launch for a while. They will launch
soon.
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Friday, November 18,
2011 - Tampa Shootouts Blog Post by C. A. Passinault
This
Is A Prelude To What I Am Going To Do To Tampa Indie Film
Some
may be watching closely to what I am doing in the Tampa Bay photography
and modeling markets. Most of those people, however, are NOT Tampa indie
filmmakers, although they should really be the ones watching with interest.
Why? Because what I am going to do with photography and modeling, I will
soon do to independent film in the Tampa Bay area. After all, I am using
a lot of tactics and concepts that I developed to deal with a very hostile
independent film market for my photography business, as well as the modeling
market, these photography shootout events, and the photography, modeling,
and talent workshops. Solutions developed for one industry, and one market,
were perfect for photography and modeling.
The results should predict what is going to happen to Tampa indie film,
because once I get things going in this market, and have established standards,
I’m going after independent filmmakers, film festivals, and Tampa
indie film as a whole, and will revolutionize that industry, too.
As of today, it begins. I’m working on my photography business today,
and what I am doing now will start an arms race in the Tampa Bay photography
services market, as well as revolutionize it and change it forever (and
please note that my photography business is a SEPARATE business, and relatively
isolated from, the photography shootout events and workshops, which are
another business - I specifically set them up that way, and it was the
smart thing to do, as there were conflicts, and I did not want the shootouts
and workshops to undermine, or even compete with, my main photography
business; Aurora PhotoArts, which is my main photography business, is
much more profitable than any of this other stuff, and it is more important.
After I realized that I could not depend upon strangers to staff the shootouts
after an attempt at an Athena modeling photography shootout event on September
25, 2011, I realized that I needed access to more resources, and more
of my models, in order to staff the shootout events with a core staff
so that we could proceed regardless of what anyone else does. I adapted
to the irresponsibility of strangers, which did take me by surprise because
in my photography business, I do not usually have people flake out on
me. I avoided conflicts and boosted the resources that I had for the shootouts
by implementing the Beacon Modeling Photography Shootouts, which allows
me to refer my model clients to staff the shootouts with minimal risks
to my main photography business. Beacon obtained its name not because
it served to prepare staff models and support the other shootouts, which
it does do, but mainly because those staff models serve as a bright beacon
to attract strangers and outsiders to get involved and participate with
the other photography shootout events; remember that the law of human
nature states that people will do what they believe to be in their best
interest, which makes them, ultimately, predictable. Beacon is a one-way
bridge between business interests, different business interests which
usually conflict, and it is a buffer which serves both diverse interests
and allows them to support each other. I did not want hostile competitors
using my photography shootout events to shop me and to try to learn the
photography business from me in this way, which means that my model clients
have to be trained and prepared to deal with this possibility, too, which
is why I created the Beacon shootouts. I did not want them getting that
information from those model clients, either. The Beacons shootouts is
a secret, private shootout program, only done as-needed, and it supports
the other photography shootout events, which in turn support the workshop
events. There is more to this, too, but I am not at liberty to reveal
all of the angles and the big picture on the Internet; let’s just
say that this is only one facet of a very massive jewel, a jewel that
I’ve spent many years shaping and polishing). The best thing, too,
is that I will not be the only one who will benefit from this change.
Other professionals will, too, and I do not have a problem sharing market
share with other professional photographers.
One cool thing about Tampa Workshops, which ties into Tampa Shootouts,
is that it is not limited to photography workshops. It also will facilitate,
market, and support other types of workshops, which include indie filmmaking
workshops. Did anyone wonder why I put it together like that? It’s
because photography, modeling, and talent are not my only plans. The indie
film market in the Tampa Bay area is much softer, and much weaker, than
photography and modeling, although it is populated with many more amateurs;
hostile, nasty amateurs whom are insecure and who need to be replaced
with a new generation of indie filmmakers and genuine innovation in independent
filmmaking. With Tampa indie film, you have unethical people, too, setting
up workshops and so-called “film schools” to prey upon others,
and this is going to stop. Just like photography and modeling, I am sincerely
interested in helping other professionals in Tampa indie film, and expanding
the market so that it will be a leading market. It’s just that,
in the case of Tampa indie film, there are far fewer professionals in
existence, and that I have to build that part of the market as well by
inspiring, and helping, new filmmakers to become professionals.
Tampa indie film and filmmakers, you are next.
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Saturday, November
12, 2011 - Tampa Shootouts Blog Post by C. A. Passinault
Tampa
Shootouts Already Set The Standard. Beware Of Bait And Switch In Other
Events.
Ever
since our first articles about other Tampa shootouts on Tampa Bay Modeling
(which is the best modeling resource site in the world, the number one
search result for anything modeling related in the Tampa Bay market, and
is read by most of the professionals in the Tampa Bay and Florida modeling
industry), we have sat back and laughed at the organizers of those other
shootout events as they tried to adapt, and in all of the cases of them
reorganizing their events, they all copied the ideas that they could learn
from our web sites, as well as tried to conform to new conditions that
we have introduced to the market.
As if we didn’t know that we were market leaders already, but the
actions of those whom react to what we do speak volumes. Our competitors
and aspiring competitors might as well have a huge neon sign over them
stating that “even after years of doing shootout and workshop events,
I still don’t know what I am doing, and I am misrepresented my experience
and my industry expertise. See, I have to copy what Tampa Shootouts and
Tampa Workshops are working on, and I have to exactly match the suggested
rates for paying models published in a warning article on Tampa Bay Modeling.
I really do not know what I am doing, but I’ll never tell you that!
Just watch me flounder and react to everything that Passinault does, and
wonder why I cannot stick to my guns about something that I claim to be
experienced with.”
Who is the leader. Who are the followers? Who should be the one that you
should trust, and go to?
Well, there you go. We expected these insecure amateurs to try to copy
what we have published on our sites. We are also glad that they are now
paying models in those workshop events.
Just some questions, though. Having problems getting your shootouts and
workshops to work as well as before? Having problems with your profit
margin? Having problems booking professional models to help you? Why is
that?
Did you think that I would publish all of the details? I’m not stupid.
I purposely withheld information that was needed to make my published
concepts work. After all, I’m the only one that should have a need
to know, because the concepts and event formats are MINE! You fools did
exactly what I expected you to do, and what I predicted.
Idiots. Poseurs. Losers. Thieves. Con Artists! Liars............. Why
not try to LEARN how to do things legitimately, and try to come up with
you own solutions? I, and other professionals, will never respect you
if you are not legit and honest, and we will continue to stomp you into
the dirt in the market. You deserve it! Step to real professionals in
a market while you misrepresent yourself, and you lie, cheat, and steal,
and we will figuratively knock you down on your ass as many times as you
come back and keep trying you B.S.!
I will only say that, without key details specifically withheld from these
morons, that those shootout and workshop events will be very difficult
to get cost-effective; I engineered them like that. Since I am the creator,
I am the only one who can get them to work effectively. That’s what
happens when you steal ideas and are too stupid to comprehend, or figure
out, what makes those ideas work (There is more, too, but I’m not
going into it). Additionally, I will also hint that these people have
been exposed for what they really are and what they do to the entire photography
and modeling industries that they pretend to be players in, and that they
have been cut off from hundreds of professional models who now know better
than to be tricked into working with them.
They deserve it.
The really funny thing, though, is that our shootouts and workshops have
already set standards in the market before we have even started, and the
people scrambling to meet those standards are having a hard time doing
it.
Alright. Now for some more bitter pills for our aspiring competitors to
deal with. It’s time to go back to the drawing boards, and you will
have to do it quickly.
While I do like that they are now paying models (models can thank me for
that, as I MADE these idiots pay models by exposing what they were doing;
They made money while tricking models into working for free, and it is
becoming VERY difficult for them to continue to rip off the help) for
working in modeling photography workshops (also known as shootouts in
their book, but my book is much more refined and specific), I noticed
a loophole. As suggested in my Tampa Bay Modeling article warning models
about Tampa shootouts and workshops, where the models should at least
make $200 to $300 for a 4 hour event (I like how they matched my suggested
rates EXACTLY. Steal... I mean, learn much? I am flattered that you acknowledged
that I’m the real expert because you could not think for yourself
and had to copy my suggested rates), they stated in a recent casting notice
that “Pay is $200 to $300 for four hours; depending on your experience
and whether or not you want photographs.”. Well, that last part
about whether or not that the models want photographs was not in the last
posting, so I am guessing that the organizer lost a LOT of money (which
makes me laugh) paying models at his last event, and now he wants to do
a bait and switch with their pay by inserting a loophole where he could
CUT THEIR PAY if the models want pictures.
Whatever. Try it and see what models do to you.
Shootout and workshop organizers have NO RIGHT stating that they
will pay a model a specific rate, and then take money away from them by
selling them back pictures from the event. It is misleading!
At the very least, they HAVE to pay in the pay range specified, and models
CANNOT BE CHARGED for anything that will drop their pay, or, especially,
drop their pay below the $200.00 stated minimum.
What in the hell are these people trying to pull? Do you really help models
like you claim, or are you only out to EXPLOIT and RIP OFF models? Reminds
me of a photographer, back in 2003, who advertised TFP and then only gave
the models watermarked, low resolution pictures which made the pictures
useless for their portfolios. The photographer then sold the models pictures
from a test shoot which was supposed to be free, which was a bait and
switch. He pulled a scam by advertising one thing, and then doing something
that the model would have not ever agreed to, or even know about. Deceptive
marketing and trade practices are a scam, and FRAUD, which is a felony!
For the record, I stopped that photographer from continuing his unethical
TFP bait and switch scam. So did models. He hates me for it, too, even
today, after he scammed his way out of his photography career. Such is
the measure, and the true nature, of this man. He preached integrity,
yet his actions betrayed words that he never comprehended. You are what
you do!
Going back to the photographer doing the shootouts, didn’t this
same photographer claim to be an agent when he did not have a talent agency
license, and then try to hide that he claimed to be an agent by removing
information on the Internet that he had posted after I pointed out that
it was a felony to claim to be an agent without an agency license? For
the record, I downloaded all of this proof, and have it on file. Now,
I don’t want to crucify someone for their ignorance of the law and
how the modeling industry works. They made a mistake, I suppose. What
I do have a problem was is that this photographer misrepresented his experience,
and lied. He does not really know what he is doing, despite his claims,
and he is lying to people to get them to work with him. THAT makes him
a SCAM! He seems to continue this unethical activity, even after I schooled
him and taught him a lesson. Come clean. Admit to people that you are
new, that you are still learning the business as a photographer, and that
you have no business teaching or coaching anyone. You won’t do that,
although your actions alone admit this to the world. So, because anyone
can make an honest mistake (giving this liar the benefit of the doubt),
I didn’t report the agent claim to the Florida Department Of Business
And Professional Regulation, and I did not report the deceptive marketing
practices to the Federal Trade Commission (I still reserve that right,
though, although I would have to make the time to do that. Please don’t
inspire me to make the time to file reports. I really don’t want
to see anyone, even if they are an amateur whom misrepresents themselves,
with a felony record or in jail, although I have put a photographer in
jail before. Quit while you are behind, and become legit). This is your
one chance to shape up, or you will be driven out of business (if you
ever actually succeed with turning your hobby into a business). I really
do not hate this person, and I am not out to get them. I taught an amateur
a lesson because they crossed the line. I, and other professional photographers,
am frankly sick and tired of amateurs misrepresenting themselves and hurting
models with their mistakes. Consider this to be an industry backlash from
the professionals whom have actually earned the right to be in this market.
Going to the exploitation remark, these idiots are still determined to
do high-risk modeling photographer with new models. I know what I’m
doing. So do other professional photographers. We would NEVER RECOMMEND
that ANY brand-new model be photographed in lingerie, in skimpy bikinis,
or with glamour or boudoir work. We would NEVER make young women look
tacky, and make them pose provocatively in photographs which could be
easily taken out of context. An experienced professional photographer
can pull this off with low risks to the model. An amateur photographer
cannot! Such high-risk modeling photography work is for experienced professionals
only, and I might add professionals whom, after really working in the
industry, make an educated choice to specialize in such work!
These amateurs shouldn’t even be allowed to have cameras, as they
are fools who are ignorant of the power of photography, and they hurt
models and their marketability! Most of these so-called “models”
probably wonder why they cannot get their careers going, and wonder why
no one wants to book them. You know what? Count me as a professional in
the industry who would never book these idiots into a modeling job, either.
I do not reward idiots who choose to remain ignorant, and who take short-cuts.
They should know better. I have a growing list of models whom I will never
work with, many of them associated with amateurs, and I really don’t
care if they want to work with me or not. I don’t need them. I do
not have a shortage of professional models to work with. I have all of
the leverage, because I am one of the best sources of paying modeling
work in this market. Say “no” to me, and say “no”
to legitimate, paying modeling work. I call the shots, and I am one of
the gatekeepers to this market (I am not an agent, I do NOT make money
by referring models to jobs, and I do not own an agency, but I do have
more power and influence in the industry than the agencies do. They answer
to me, and other professionals whom refuse to be dependent upon, and limited
by, talent agencies.) Make your choice. Also, feel free to consort with
foolish amateurs who cannot begin to compete with me or other professionals.
Commit professional suicide, if you wish.
Enough, though. I’m going to address this, and it starts with Tampa
Bay Modeling. The schooling continues. Just don’t let it go to the
next level.
Oh, and one more thing. Speaking for myself, models whom participate with
the shootouts and/ or do subcontracted work with the workshops obtain
ALL of the pictures from the work. I also make ALL of the participants
agree to this, too, and it specifically states in the event agreements
that no one sell pictures to other participants. There are no hidden charges,
and the pictures are a NORMAL BENEFIT of participating in my events. Consider
this. I don’t rip off people, and I certainly do not do, or condone,
unethical bait and switches!
Some people, because they are insecure and do not know what they are doing,
will pull anything in an attempt to make it. Real professionals do not
resort to unethical schemes, especially since they do not have to.
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Monday, October 17,
2011 - Tampa Shootouts Blog Post by C. A. Passinault
High-Risk
Shootout Revealed. Critical Details Classified As Trade Secrets.
Today,
the high-risk modeling photography shootout series was revealed officially
as the “Allure
Sexy Photography Shootouts”. This series of modeling
photography shootout events, which will NOT be recommended for beginners
or anyone trying to maximize their marketability as a model or a photographer,
will be for high-risk modeling photography work including, but not limited
to, glamour, boudoir, lingerie, “sexy” work, posing provocatively,
posing in skimpy bikinis
for pictures which can easily be taken out of context, or clothing-optional
photography (we are being careful not to use the “n” word
here because we do not want this site blocked by software which locks
onto keywords and would mis categorize this site content). The Allure
Sexy Shootouts, which will be scheduled as-needed, and unlike Athena,
would NOT be monthly or primary shootout events, are being done because
there needs to be an ethical, professional, and safer alternative to what
is being done with other shootout events in the market. Athena is hardly
a threat, or an alternative, to such high-risk shootouts because it is
mainstream and family-friendly; people looking for a high-risk shootout
event would not be as interested in Athena because of this. Allure is
a threat to those other shootout photography events because it directly
targets that market with a superior, brand-name photography event.
The Allure Sexy Photography Shootouts, frankly, are designed to be the
most advanced high-risk modeling photography event in the Tampa Bay market,
bar-none. It will easily best any high-risk shootout event from yesterday,
today, and tomorrow (our analysis of the current market indicates that
we have a lead time of at least three years, and it will take at least
that long for any competitor to develop and deploy an event that would
be able to compete. That event would also likely use lessons learned from
the study of our events, too; they would have to copy what we do in some
sort of watered-down counterfeit, which would likely be inferior and have
major flaws because the plagiarists/ thieves would not be able to comprehend
the mechanics of what makes our concepts work, and would not have knowledge
of critical features needed to make the event work properly. Follow the
leader, if you can). Like our other shootout event series properties,
many operating features and support features of Allure are classified,
and are treated as trade secrets. These features, and much of the format,
are designed to be transparent, or invisible, to the participants, too,
which make the shootout events very hard to figure out and reverse-engineer
by anyone with such motives (we also have security measures in place to
discourage shoppers from participating, and cannot reveal what those measures
are). Sensitive information is dispensed on a need-to-know basis, only,
and like all of my other Passinault.Com projects, these events are engineered
and operated under our “business is war, and most competitors are
unethical” school of thought (learned from experience, unfortunately,
in the past decade of doing business in this market. We’re better
than most, and most of them are insecure, unethical, and will try to steal
what we develop in an attempt to compete with us because we are better
than they are in every way). Our shootouts and workshops are designed,
from initial conceptual work to full operations, to be highly resistant
to any attempt to steal and reverse engineer them; we not only wish to
maintain market and business superiority, but wish to keep our concepts
out of the hands of others who would use them to enhance or improve unethical
practices.
Allure will be about education, too, and the participants will be fully
aware of the risks associated with such work. These events will only be
for people who are determined to work high-risk markets. For professionals
who wish to attempt to preserve their marketability, we will also offer
tactics in the workshop counterpart (remember, workshops are not free,
and shootouts are. Like the Athena shootouts and the Focus workshops,
Allure will have a workshop counterpart, which has yet to be developed
at this time. We will not be offering these advanced business and marketing
tactics, which are extremely valuable, for free at a shootout. You will
have to pay to learn them in a workshop. We never teach at shootouts,
either, as this would be a conflict of interest with our workshops, and
would undermine our workshop market) which will help anyone seeking to
work in this market a way to segment their markets and have their cake
while eating it, too. Don’t ask the people whom are doing other
high-risks shootouts about segmenting markets, either, as most of them
are amateurs who are doing high-risk work for unprofessional, and often
unethical, reasons. As such, they have no clue about what they are doing.
High-risk modeling photography shootout events like Allure are for EXPERIENCED
PROFESSIONALS only! Allure will set the standard for high-risk shootouts
in the Tampa Bay market, and will be as career-safe as possible.
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Wednesday, October
12, 2011 - Tampa Shootouts Blog Post by C. A. Passinault
High-Risk
Shootouts Being Developed.
As
of today, I have a third shootout event series branded and ready to go
(Five days later, on October 17, 2011, the brand was revealed as the "Allure
Sexy Photography Shootouts"- Ed). This shootout
series, although it will be marketed through Tampa Shootouts, will be
different from Athena and Beacon. It will provide a safe, professional,
ethical, and tasteful alternative to the high-risk shootout events that
others have done, and are doing, in the Tampa Bay area. Although the branding
is currently classified (although it has been decided, I am not ready
to reveal it, yet), this shootout series will cover glamour, boudoir,
lingerie, and more risque bikini modeling photography (Athena, however,
will overlap a bit by covering more conservative, and mainstream career-safe,
swimsuit modeling photography). Of course, these are all high-risk fields,
and these shootouts will be for professionals only, and only after they
are aware of the risks, and that these fields will handicap their ability
to do mainstream modeling industry work. This shootout event series is
needed because, well, we would not be a threat to those other shootouts
if we did not go after their target markets. We also need to minimize
the risks to those who wish to pursue high-risk work.
Obviously, this third shootout event series will be more studio than location
based, unlike Athena, which is mostly location. A workshop sister counterpart
event series for this new shootout series on Tampa Workshops is also planned.
This third shootout event series will be unveiled this fall, and will
debut early in 2012, soon after the Athena shootouts debut.
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Wednesday, October
12, 2011 - Tampa Shootouts Blog Post by C. A. Passinault
Tampa
Workshops And Industry Ignorance.
The
sister site for Tampa Shootouts, Tampa Workshops, is in development. It
would have launched today, but work on Tampa Shootouts took up too much
time. Tampa Shootouts, although it markets the workshop events under Tampa
Workshops, is primarily used as a screening tool and networking event
resource for the workshops. The workshops, unlike the shootouts, though,
will not be free, and will focus more on education and training.
Speaking of focus, that is also the name of the main Tampa Workshops workshop
event series, the Focus Modeling Photography Workshops. More about the
workshops will be announced on the Tampa Workshops site when it launches
later this month, although it must be noted that the workshops will not
be free events, and the models, photographers, and other professionals
whom are booked into the subcontracted jobs in the workshops will get
paid. It’s the business end of the shootouts, with the shootouts
being the marketing and support end.
Another lesson for the primitives out there trying to do their shootouts
and workshops. We are much more advanced, and experienced. We’re
better. We are also smarter. They know that, too, which is why they’ve
been reacting to everything that we’ve done, and pointed out, so
far. They really don’t know what they are doing. Although we are
gearing up for major competition, we will be surprised if we get it. Business-wise,
our shootouts and workshops should absolutely decimate rival events, and
it’s as it should be. It’s what the Tampa Bay market needs.
It’s what professionals need.
Which brings us to industry ignorance.
There are too many amateurs and idiots littering the market right now.
You have idiots out there exploiting models and photographers, promoting
high-risk work as mainstream and safe, and undermining the careers of
all who are involved. You also have amateurs misrepresenting themselves
and pretending to be professionals. Sure, they are learning, but at what
price? The price is the marketability and the integrity of the people
who work with them.
A big goal of both the Tampa Shootouts and the Tampa Workshops is to help
eliminate industry ignorance by not only giving the professionals something
appropriate and relevant to get involved with, but to give professional
instruction and training to aspiring professionals who deserve to get
their careers started with minimal mistakes.
Frankly, all of you amateurs and con artists out there, the professionals
are sick and tired of the garbage in the industry. We are coming to take
you out, and to seize leadership of the Tampa Bay market in shootouts
and workshops. We cannot be stopped. Change is coming.
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Wednesday, October
5, 2011 - Tampa Shootouts Blog Post by C. A. Passinault
Athena
Support. Beacon Shootouts. Sister Site Coming.
After
the fiasco on September 25, it was decided that additional support was
needed. Did I make a mistake? Not at all. The first Athena shootout was
ready to go, and I was there. So was an actor friend of mine, and my main
model was also on standby (In the end, later that day some of us did do
a shootout, but it wasn’t the one that I had planned on). I can’t
help it if other people are idiots, and don’t bother to show up.
Now, I’m not calling the people who cancelled idiots, although I
really wish that they would have called instead of sending me a message
on Facebook or via email; I am referring to the people who didn’t
bother showing up or contacting me.
You people are morons. You are idiots. You also demonstrate that you are
ignorant. Why? Because you are turning
down the best shootout and networking events ever to be done in the Tampa
Bay market (although, to be fair, if no one shows up, it kind of makes
networking hard, and I’m not saying that I’m all that and
worth attending just to network with me, because it would seem to be too
boastful. That said, with additional support, the networking claim will
be validated, and, yes, I will say, at the most, that since I am one of
the top modeling and talent photographers in the Tampa Bay market, that
I’m worth networking with, too).
Why don’t people give things a try before deciding that they do
not need it? Are you people so haughty, and so blasted-arrogant that you
sell yourself short by not at least giving things a chance?
I’m sorry, but I’m not insulted, and I refuse to be. It is
your loss. You people insult yourselves by not giving the shootouts a
chance. I would never pull a no-call, no-show (since doing photography
is a business for me, I could also get sued for being so unprofessional.
I hold my work, and my actions, to a pretty high standard, and it disgusts
me to see so many people out there who claim to be industry professionals
behave so irresponsibly and unprofessionally- No wonder none of you f-ups
are able to compete with real professionals in the industry!). I conduct
myself as a professional. You should, too. You know, though, this is just
fine, as I’m quickly finding out who in the industry I should take
seriously, and who the un professionals are.
If you don’t want to get involved with the shootouts, fine, don’t.
I won’t hold it against you. Just don’t tell me that you are
coming and don’t bother to show up.
Frankly, I’m used to working around other professionals, and I find
this flakiness in the industry shocking. Do you idiots really think that
you are going to make it in your so-called “careers” if you
are unreliable? How about ignorant? I’ve seen so many so-called
models lately, as well as others, who don’t have a clue about the
industry or what they are trying to do. No one bothers to read, or to
research, anything. I refuse to be held hostage by the ignorance, and
the outright stupidity, of others in the industry.
I’m no longer going to trust, or rely, upon people who I do not
know, or have not worked with. If you want to meet me and other professionals,
and wish to prove, through your actions, that you can be taken seriously,
then fine. You certainly have the opportunity, and it’s right here.
Just let it be known that I’m not relying upon you if you have not
earned my trust and respect, and the shootouts will go on with or without
you.
The irony is that many of these unprofessional flakes will be begging
to be a part of the shootouts and the workshops once these events get
going. It will be obvious that it is in their best interest to get involved
and to participate. Why? Because I am an experienced professional who
cares about the photography and modeling industries, and who is mainly
doing this to help other professionals. I’m doing this for all professionals,
and everyone needs to know that. These events are for professionals, and
to help advance careers and the market!
Some people, however, will figure this out too late. They will have a
hard time getting the inside track when they have a ton of competition,
and they were foolish enough to turn down getting involved at the beginning,
when breaking through is much easier.
Enough of that, though. You’ll find out. I’m not giving up.
I’m actually going to do a lot more to make these events the best
that they can be.
Now, remember, I’m no longer going to depend upon people who have
not earned my trust, and those whom I have not worked with. How am I going
to make these shootouts work, as far as in the beginning?
Well, I am not some aspiring photographer who does this as a hobby and
who spends time shooting wannabe models for free with TFP. Remember, this
has been a business for me for over a decade now, and I’m one of
the few who has been able to make modeling and talent photography a business.
Everyone who knows this market knows this. Everyone who has talked with
me has been able to figure this out (especially the moron who is trying
to do shootouts and workshops in the market... He talked to me quite a
bit, he knows that I’m the real deal, he knows that I’m better
than he is in every way, and he is afraid of competing with me). It’s
no secret.
I’ll tell you something, though. I’ve already said that I
did not want to mix these shootouts and workshops with my photography
business. I was concerned about conflicts, and about security issues with
competitors and aspiring competitors using the shootouts as a way to shop
me and to steal business ideas from me. Well, it sounds paranoid, I know,
but it’s not paranoia if it’s true, and there is evidence
to support such statements. Well, there is, because it has already happened.
I’ve run into so many sleazy, unethical photographers in past ten
years that it would blow your mind. A lot of them have stolen things from
me in an attempt to compete with me, and I expect this to continue. In
one case, I even had a photographer book one of my shoots as a model,
without letting me know what his real agenda was. He even had the nerve
to try to pay me with a bad check. After settling things with him, I was
surprised to discover a few months later that he was suddenly a “photographer”
who was trying to go after my modeling and talent market. Real nice! I
do not like being misled, and although I’ve been shopped before
by other photographers, it is a bit extreme when they are so desperate
to learn how you work that they misrepresent who they are and actually
book a shoot with you!
Just let it be known that the shootouts are for professional, ethical
photographers. I don’t have any problems with other professionals,
even if they are competition. It’s the unethical ones that I have
issues with, and frankly, other professionals should also have issues
with such people. After all, professionals being sick and tired of all
of the unethical and unprofessional things going on in the industry is
one of the main reasons that we started our shootouts and workshops!
At any rate, going back to how we are going to get the shootouts going
with or without the participation of strangers, after what happened on
September 25, I decided that I was no longer going to just sit on my resources.
I will use them. The trick was to figure out a way to support the shootouts
with my photography business without creating a conflict, and without
undermining my business.
In electronics, I studied rectification in circuits when I was a kid.
One component in electronics, used in rectification, and called a diode,
is used as a valve to only allow current to flow in one direction. What
I needed was a diode, of sorts, or a buffer, to bridge my business resources.
I needed a way to allow support resources to flow into the shootouts,
with a reduced chance of anyone being able to see how my business worked.
So, I created that diode, or buffer. That’s what the Beacon Modeling
Shootouts is all about.
Beacon, as the name suggests, is there to attract outsiders to participate
with the shootouts by providing models for the events, and to market the
events with those models. It is also to prepare my models to participate
in the shootout events. Before, I didn’t want any of my models involved,
especially if they were clients of my photography business. Beacon, though,
provides a safe way to refer some of those models to the shootouts (for
more, please read my Beacon
Modeling Photography Shootouts section here on Tampa
Shootouts).
So, the problem was solved. I’d staff the shootouts with mostly
my models, and of my models, only a small percentage of my actual clientele.
Like kindling for a fire, they would get the fire going, attract others
to participate, and the shootouts would then take off, and continue to
thrive. Conflicts are reduced to where I am comfortable, and I get to
now use the resources which I was reluctant to before. I have some other
things in the works, too, but I’m not going into details now. You’ll
just have to find out later.
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Tuesday, September
27, 2011 - Tampa Shootouts Blog Post by C. A. Passinault
First
Shootout Event Scrubbed And Rescheduled.
Well,
it happened. And it didn’t happen.
Everything was set. I had two of my models (models whom I had worked with
and who could be relied upon) set to come, one had an emergency the night
before and called off, and the other was set to come to the shoot later.
I had the paperwork, the video gear; everything was set. I had 20 people
confirmed to show up.
Except only one did.
I loaded up my gear into my car. My camera, and the video camera, were
charged and ready to go. I loaded up 24 bottles of bottled water into
a cooler. I even had my laptop so I could give the models their image
files at the end of the shoot. It was really early in the morning, too,
with barely enough light to see. I heard a hawk in the distance calling,
and considered it to be a sign of good luck. I couldn’t wait to
get out there and shoot.
So, I arrived at the rendevous point. So did one other.
With no access to the Internet where I was, I had no way to check my email
or anything else. My phone was on, but it wasn’t ringing (people
need to start using the phone, or they will not be participating! PERIOD!).
After an hour, no one showed up, and it was clear that no one else was
coming. So, the other person and I decided to scrub the shoot, as heading
out to the shootout location wasn’t worth our time, especially since
I had already done a shoot with the other person, an actor who was local,
and who was a friend.
I called my one model who was still scheduled to attend, and waved her
off. We decided to meet in Brandon later to take some pictures and hang
out.
I checked the Internet first, though.
One of my photographers was sick. Another photographer had a blow-out
and had to get a tow back to Orlando. A model had an emergency, and had
to call off hours before the event. Another model had to go into work
early, and had to cancel, too.
These were all fine, and I can understand that (The shootout would have
had 8 of us had every one shown up, counting the model who had to cancel
the night before, which was enough to do the event, and I would have done
it with as few as six. We were down to three, and one would not have attended
until the last few hours). Losing five just before the event was enough
to scrub it.
It’s not the ones who cancelled who bother me, though. It’s
the ones who said that they were coming, and didn’t bother to call
off or show. That was about 14 people. If everyone would have shown up,
we would have had a shootout of 22 people.
Later, when I was in Brandon shooting my remaining model, who is one of
the top models in the Tampa Bay market, and who has been one of my best
friends for nine years now, we discussed it. We discussed the high number
of flakes in the industry today. I told her that today, with the advent
of social media, that everything was disposable, and the respect just
wasn’t there. Buy a camera? Hell, you can claim to be a photographer,
going around shooting models for free! Photogenic? Set up a free profile
on the Internet with your free pictures and claim to be a model!
How can these people be taken seriously?
Without rambling on and on about these people, though, let’s move
on with solutions. I know my model and this really cute aspiring model
that we met heard me complain about it. It’s pretty much out of
my system now, but I’m still annoyed.
So, as of now, the first Athena Modeling Photography and Networking event,
“The Outland”, has been rescheduled for Sunday, January 15,
2012. The event will also obtain some more enhancements. I will say that
I will no longer rely upon strangers to make an event happen again, and
that Athena will require substantial support infrastructure. It
is going to get it, and that's why it has been delayed a few
months.
I will post some more about solutions later this week.
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Friday, September
23, 2011 - Tampa Shootouts Blog Post by C. A. Passinault
The
Tampa Shootouts Site Has Launched!
It’s
been roughly eight years in the making, with my plans accelerated by an
encounter with a con artist and his amateur shootout event back in May,
but the Tampa Shootouts site has finally launched, and our first official
shootout event, the Athena Modeling Photography and Networking Event Series,
will be held this Sunday! The Athena shootout event series is the backbone
of Tampa Shootouts, and there will be an Athena shootout event every month,
conditions permitting. Although the first Athena shootout will not have
all of the bells and the whistles of the full event, it will still be
another level better than anything done in the history of the Tampa Bay
market as far as photography and modeling events go. I expect the Athena
shootout events to be fully operational after the first three, and we
will have a full rollout of all of the features by the fourth event. Each
Athena event will also have a main theme, too, and although most of them
will be family friendly, because they are private events that you have
to be invited to, some of them will overlap with our other shootout events
into high-risk territory.
Tampa Shootouts is not just about Athena, though, as Athena is our flagship,
and main, event series. We will have shootout events, with various brands,
formats, and themes, addressing every facet of the photography and modeling
industries. All of these shootout events will be marketed here on Tampa
Shootouts. Now, although my main shootout events, like Athena, will primarily
be family and career-friendly, with no risks. That’s our main market,
but keep in mind that if that is all that we limited ourselves too, that
we would not be a threat to the people out there who do high-risk shootouts.
I want to provide an ethical and professional alternative to the high-risk
shootout events that are out there now, and make them as safe (career
safe) as possible. I also want to make sure that the participants understand
the risks, and really want to specialize in high-risk work. High-risk
work, of course, includes some bikini modeling, some swimsuit, glamour,
boudoir, and other types of risque work which are inappropriate for mainstream
modeling (and photography) careers. One of the reasons that we started
Tampa Shootouts was because the people out there who run shootout events
which do a lot of high-risk work (the skanky model who does her “modeling”
photography events at a clothing-optional resort, the sleazy guys with
all of the glamour shootouts and workshops, etc) are idiots, IMO, who
pose a risk to the careers of models and photographers. I’ll write
more on that soon, though.
Tampa Shootouts is not for parents who want to get their kids into modeling
or for amateurs. Amateurs participating with any shootout event is pointless,
especially when it undermines the markets that the professionals who are
involved with the shootout events (Professionals should never give away
the store!). For amateur photographers, we have workshops for the training
that you need, and those will cost money. It’s called an investment,
and it will open the door for you to have a career as a real, professional
photographer. For aspiring models, well, you need to go to a professional
photographer who specializes in modeling portfolios and invest in a modeling
portfolio. That costs money, too, and the investment into your career,
which is exactly what it is, will give you an effective portfolio which
will enable you to book paying modeling jobs. I’d say that you should
go to me, as that is what I specialize in, and you should, but to be honest,
I did not put Tampa Shootouts or my shootout events to market my modeling
portfolio services to aspiring models, as aspiring models are NOT the
target market of these shootouts. I already have businesses and strategies
in place for this market, and have for the past decade, and no one else
comes close in the Tampa Bay market. I’m at the top of the game,
now, and I book more modeling portfolio and talent headshot shoots than
even the agency-represented photographers do. Sure, there are photographers
out there who may be better than I am (there are only a few who work my
market, and it’s not a long list, IMO- Most of the photographers
who run their mouths about me can’t even come close to my skill
and experience as a photographer, which means that they are no threat
to my business... Ahem, Larry and Duh-Wayne. Either that, and/ or they
do work which is inappropriate for modeling and talent portfolios... Ahem,
Rick, Bobby, Bruce, Raymond, Doug, and countless others who are morons,
IMO), but I’m the full package, and no one can touch what I can
do. Additionally, it takes a lot more than being a better photographer
to be able to compete with me. If no one see’s you, you’re
not in the game, and are not competition for me. I’m the most visible
photographer in the Tampa Bay market, and my work is good enough for what
the models need. It’s about to get a whole lot better, too, and
in the next few years, I will not only be pulling in six figures shooting
models, but I will become one of the best photographers in the world,
literally. I’ll close the photography gap quite nicely, if one actually
exists right now.
While our workshops will be marketed to amateurs and aspiring professionals,
and Tampa Shootouts will overlap into that area, we will be building and
deploying another web site for that. The new web site will overlap with
Tampa Shootouts, and both sites will be interconnected, although each
will focus on separate markets. For the Tampa Shootouts site, we will
focus on something different for our workshops. We will be using our shootout
events as working auditions for professionals who want to book subcontracted
work in our industry workshops and help teach the students.
It’s about segmenting markets, people, and may this be another lesson
in how to work the business, and become a real player in the industry.
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PUBLISHED 09/23/11
UPDATED 06/05/12
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